Operetta conference. Czech operetta and its transnational contexts

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378033%3A_____%2F23%3A00579609" target="_blank" >RIV/68378033:_____/23:00579609 - isvavai.cz</a>

Výsledek na webu

<a href="https://www.udu.cas.cz/en/akce/ceska-opereta-a-jeji-mezinarodni-kontexty" target="_blank" >https://www.udu.cas.cz/en/akce/ceska-opereta-a-jeji-mezinarodni-kontexty</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Operetta conference. Czech operetta and its transnational contexts

Popis výsledku v původním jazyce

While scholarly interest in operetta has increased in the past decade, the Czech operetta scene has remained by and large a desideratum, although it was comparable to that of other (post-)Habsburg countries until 1945. Therefore, this conference addressed the blank spots of operetta history: which factors influenced repertoire formation on the one hand and omission from cultural memory on the other? What roles did nationalisms and both national and transnational networks play? To what mechanisms of exclusion were the proponents of the precarious art of operetta exposed? How has this been reflected so far in music and theatre studies, as well as in related disciplines? Such questions suggest that the seemingly “light muse” can be a highly political topic.

Název v anglickém jazyce

Operetta conference. Czech operetta and its transnational contexts

Popis výsledku anglicky

While scholarly interest in operetta has increased in the past decade, the Czech operetta scene has remained by and large a desideratum, although it was comparable to that of other (post-)Habsburg countries until 1945. Therefore, this conference addressed the blank spots of operetta history: which factors influenced repertoire formation on the one hand and omission from cultural memory on the other? What roles did nationalisms and both national and transnational networks play? To what mechanisms of exclusion were the proponents of the precarious art of operetta exposed? How has this been reflected so far in music and theatre studies, as well as in related disciplines? Such questions suggest that the seemingly “light muse” can be a highly political topic.

Druh

M - Uspořádání konference

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2023

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Místo konání akce

Praha

Stát konání akce

CZ - Česká republika

Datum zahájení akce

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Datum ukončení akce

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Celkový počet účastníků

20

Počet zahraničních účastníků

8

Typ akce podle státní přísl. účastníků

WRD - Celosvětová akce