Popular Music Research behind the Iron Curtain: Czech Musicology in the Context of Central European Culture and Politics
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378033%3A_____%2F25%3A00642063" target="_blank" >RIV/68378033:_____/25:00642063 - isvavai.cz</a>
Nalezeny alternativní kódy
RIV/61989592:15210/25:73630959
Výsledek na webu
<a href="https://www.peterlang.com/document/1547573" target="_blank" >https://www.peterlang.com/document/1547573</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.3726/b22740" target="_blank" >10.3726/b22740</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Popular Music Research behind the Iron Curtain: Czech Musicology in the Context of Central European Culture and Politics
Popis výsledku v původním jazyce
The book explores the development of popular music research in the Czech lands and neighbouring socialist states, a field that was institutionalised here well before it was in the West. Based on the analysis of previously unprocessed archival sources, the authors examine the preconditions for the early establishment of ‘popular musicology’ in the Czech lands in the context of Marxist music criticism and communist cultural policy, focusing on the milestones of 1948, 1968, and 1989. The authors discuss how popular music research was organised in the Czech lands, its protagonists, how their work was influenced by the environment of the respective countries behind the Iron Curtain, and how their approaches differed from the ones of their Western colleagues.
Název v anglickém jazyce
Popular Music Research behind the Iron Curtain: Czech Musicology in the Context of Central European Culture and Politics
Popis výsledku anglicky
The book explores the development of popular music research in the Czech lands and neighbouring socialist states, a field that was institutionalised here well before it was in the West. Based on the analysis of previously unprocessed archival sources, the authors examine the preconditions for the early establishment of ‘popular musicology’ in the Czech lands in the context of Marxist music criticism and communist cultural policy, focusing on the milestones of 1948, 1968, and 1989. The authors discuss how popular music research was organised in the Czech lands, its protagonists, how their work was influenced by the environment of the respective countries behind the Iron Curtain, and how their approaches differed from the ones of their Western colleagues.
Klasifikace
Druh
B - Odborná kniha
CEP obor
—
OECD FORD obor
60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)
Návaznosti výsledku
Projekt
<a href="/cs/project/GA21-16304S" target="_blank" >GA21-16304S: Vývoj zkoumání populární hudby v českých zemích v kontextu středoevropské kultury a politiky od roku 1945</a><br>
Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2025
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
ISBN
978-3-631-91932-3
Počet stran knihy
228
Název nakladatele
Peter Lang
Místo vydání
Berlin
Kód UT WoS knihy
—