“Známý vídeňský a již zemřelý professor a aesthetik”: Eduard Hanslick’s Double Lives

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378033%3A_____%2F25%3A00647286" target="_blank" >RIV/68378033:_____/25:00647286 - isvavai.cz</a>

Výsledek na webu

<a href="https://asjournals.lib.cas.cz/FoliaHistoricaBohemica/article/uuid:70138cb2-462d-4e6b-bd60-478a863291c1/pdf" target="_blank" >https://asjournals.lib.cas.cz/FoliaHistoricaBohemica/article/uuid:70138cb2-462d-4e6b-bd60-478a863291c1/pdf</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.56514/fhb.40.02.08" target="_blank" >10.56514/fhb.40.02.08</a>

Jazyk výsledku

angličtina

Název v původním jazyce

“Známý vídeňský a již zemřelý professor a aesthetik”: Eduard Hanslick’s Double Lives

Popis výsledku v původním jazyce

This article explores the “double lives” of Eduard Hanslick (1825–1904), a prominent music aesthetician, critic, and pedagogue who also composed songs. It connects his early compositional activities – encompassing Czech- and German-language songs – with his later academic and critical work, revealing how his creative output and self-fashioning reflect a complex web of cultural identities, political contexts, and philosophical influences. The study examines Hanslick’s Czech songs in relation to the Czech National Revival, his German songs within Prague’s private musical circles, and his aesthetic positions against the backdrop of the Thun education reform and Herbartian positivism. It argues that Hanslick’s conception of musical aesthetics as a “supranational” science was shaped by liberal ideals and the political pressures of the Habsburg Monarchy. By highlighting intersections between biography, aesthetics, and cultural politics, the article contributes to a more nuanced understanding of music history as cultural practice and identity as a dynamic, multilayered concept.

Název v anglickém jazyce

“Známý vídeňský a již zemřelý professor a aesthetik”: Eduard Hanslick’s Double Lives

Popis výsledku anglicky

This article explores the “double lives” of Eduard Hanslick (1825–1904), a prominent music aesthetician, critic, and pedagogue who also composed songs. It connects his early compositional activities – encompassing Czech- and German-language songs – with his later academic and critical work, revealing how his creative output and self-fashioning reflect a complex web of cultural identities, political contexts, and philosophical influences. The study examines Hanslick’s Czech songs in relation to the Czech National Revival, his German songs within Prague’s private musical circles, and his aesthetic positions against the backdrop of the Thun education reform and Herbartian positivism. It argues that Hanslick’s conception of musical aesthetics as a “supranational” science was shaped by liberal ideals and the political pressures of the Habsburg Monarchy. By highlighting intersections between biography, aesthetics, and cultural politics, the article contributes to a more nuanced understanding of music history as cultural practice and identity as a dynamic, multilayered concept.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

<a href="/cs/project/GA22-16531S" target="_blank" >GA22-16531S: Polosoukromé hudební praxe v Praze, Vídni a Berlíně (1815–1850): Hudební repertoár v dobovém sociokulturním kontextu</a><br>

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Folia Historica Bohemica

ISSN

0231-7494

e-ISSN

—

Svazek periodika

40

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

31

Strana od-do

355-385

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-105032110046