Description and its subject: through the eyes of the observer

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378068%3A_____%2F14%3A00433003" target="_blank" >RIV/68378068:_____/14:00433003 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Description and its subject: through the eyes of the observer

Popis výsledku v původním jazyce

The category of beholder as key mediator of the surrounding world (or its image) in an artwork results from confrontation of verbal and visual descriptivity. The paper focuses on the role of beholder and the influence of processes of her perception on the descriptive structure. It seems inevitable to inquire into the ways and devices of transforming the perspective of a character into narratorial discourse or into that of an implied beholder. Concurrently, it is necessary to differentiate between the mode of beholder where emphasize is on perception, and the mode of interpreter, i. e. such apprehension of the world, which employs e. g. pictorial models and cultural/visual concepts intently in order to induce evocation or visualization in readers. The paper examines the assumed “objectivity” or noninterpretative character of description by displaying a variety of observer’s perspectives in description and also in ekphrasis as a specific type of description.

Název v anglickém jazyce

Description and its subject: through the eyes of the observer

Popis výsledku anglicky

The category of beholder as key mediator of the surrounding world (or its image) in an artwork results from confrontation of verbal and visual descriptivity. The paper focuses on the role of beholder and the influence of processes of her perception on the descriptive structure. It seems inevitable to inquire into the ways and devices of transforming the perspective of a character into narratorial discourse or into that of an implied beholder. Concurrently, it is necessary to differentiate between the mode of beholder where emphasize is on perception, and the mode of interpreter, i. e. such apprehension of the world, which employs e. g. pictorial models and cultural/visual concepts intently in order to induce evocation or visualization in readers. The paper examines the assumed “objectivity” or noninterpretative character of description by displaying a variety of observer’s perspectives in description and also in ekphrasis as a specific type of description.

Druh

D - Stať ve sborníku

CEP obor

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OECD FORD obor

60206 - Specific literatures

Projekt

<a href="/cs/project/GAP406%2F12%2F1711" target="_blank" >GAP406/12/1711: Poetika deskripce: Průzkum reprezentačního potenciálu v intermediální perspektivě</a><br>

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2014

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název statě ve sborníku

On Description

ISBN

978-80-7470-058-3

ISSN

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e-ISSN

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Počet stran výsledku

19

Strana od-do

97-115

Název nakladatele

Akropolis

Místo vydání

Praha

Místo konání akce

Praha

Datum konání akce

14. 11. 2013

Typ akce podle státní příslušnosti

EUR - Evropská akce

Kód UT WoS článku

000343690700007