'Nothing is Certain': Czech Post-War Literature Between the Avant-Garde and Expressionism

Kód výsledku v IS VaVaI

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Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

'Nothing is Certain': Czech Post-War Literature Between the Avant-Garde and Expressionism

Popis výsledku v původním jazyce

The Czech post-war avant-garde is split between collective enthusiasm, the adoration of the masses, and the depiction of the lone individual in crisis. Interpretations of this period have until now been based on the opposition of Literární skupina (the Literary Group, with an expressionist, individualist platform) vs. Devětsil (with an avant-gardist, collectivist platform). This study examines how understanding of the terms expressionist and avant-garde changed in the period in which Literární skupina and Devětsil emerged, followed by literary historical reflections on this process during the 1960s and 1970s, when Literární skupina came to be seen as distinct from the avant-garde on the basis of its espousal of expressionism. By comparing theoretical discourse and literary texts — in particular, hitherto overlooked avant-garde short prose — the present article examines the extent to which these established oppositions are valid. This article argues that expanding the analysis to include the neglected genre of the short story brings greater nuance to the underlying opposition of ‘expressionism vs. avant-garde’ (and individualism vs. collectivism), and thereby challenges standard interpretations of the era in question.

Název v anglickém jazyce

'Nothing is Certain': Czech Post-War Literature Between the Avant-Garde and Expressionism

Popis výsledku anglicky

The Czech post-war avant-garde is split between collective enthusiasm, the adoration of the masses, and the depiction of the lone individual in crisis. Interpretations of this period have until now been based on the opposition of Literární skupina (the Literary Group, with an expressionist, individualist platform) vs. Devětsil (with an avant-gardist, collectivist platform). This study examines how understanding of the terms expressionist and avant-garde changed in the period in which Literární skupina and Devětsil emerged, followed by literary historical reflections on this process during the 1960s and 1970s, when Literární skupina came to be seen as distinct from the avant-garde on the basis of its espousal of expressionism. By comparing theoretical discourse and literary texts — in particular, hitherto overlooked avant-garde short prose — the present article examines the extent to which these established oppositions are valid. This article argues that expanding the analysis to include the neglected genre of the short story brings greater nuance to the underlying opposition of ‘expressionism vs. avant-garde’ (and individualism vs. collectivism), and thereby challenges standard interpretations of the era in question.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60206 - Specific literatures

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2016

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Central Europe

ISSN

1479-0963

e-ISSN

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Svazek periodika

14

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

16

Strana od-do

125-140

Kód UT WoS článku

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EID výsledku v databázi Scopus

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