Ballads and Legends. Media Transformations of Canonical Narratives in Polish and Czech Culture

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378068%3A_____%2F22%3A00566363" target="_blank" >RIV/68378068:_____/22:00566363 - isvavai.cz</a>

Výsledek na webu

<a href="https://pressto.amu.edu.pl/index.php/pss/article/view/37255" target="_blank" >https://pressto.amu.edu.pl/index.php/pss/article/view/37255</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.14746/pss.2022.23.8" target="_blank" >10.14746/pss.2022.23.8</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Ballads and Legends. Media Transformations of Canonical Narratives in Polish and Czech Culture

Popis výsledku v původním jazyce

The paper presents a comparative interpretation of recent Czech and Polish transmediations of canonical literary texts and architexts: ballads by K. J. Erben and Polish legends and folk tales, which are generally regarded as representations of both timeless and historical national values. The theoretical framework is built upon the theory of intermediality introduced by W. Wolf and I. O. Rajewsky, the concept of media modalities developed by L. Elleström, and current multimodal research represented by J. Bruhn and others. The transmediations (a film, a crowdfunded comic book, a series of short films employed as online advertisements) are not only subject to analysis of media-specific strategies involved in the artistic transformations - the authors´ motivations, the economic conditions under which the examined media products were made, and the modes of their distribution and participation in cultural communication are taken into account as well. The results of the analysis illuminate the strong influence of the multimedia environment, of the generic frames of individual media and the strategies that authors of the transmediations use to attain success with audiences.

Název v anglickém jazyce

Ballads and Legends. Media Transformations of Canonical Narratives in Polish and Czech Culture

Popis výsledku anglicky

The paper presents a comparative interpretation of recent Czech and Polish transmediations of canonical literary texts and architexts: ballads by K. J. Erben and Polish legends and folk tales, which are generally regarded as representations of both timeless and historical national values. The theoretical framework is built upon the theory of intermediality introduced by W. Wolf and I. O. Rajewsky, the concept of media modalities developed by L. Elleström, and current multimodal research represented by J. Bruhn and others. The transmediations (a film, a crowdfunded comic book, a series of short films employed as online advertisements) are not only subject to analysis of media-specific strategies involved in the artistic transformations - the authors´ motivations, the economic conditions under which the examined media products were made, and the modes of their distribution and participation in cultural communication are taken into account as well. The results of the analysis illuminate the strong influence of the multimedia environment, of the generic frames of individual media and the strategies that authors of the transmediations use to attain success with audiences.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60205 - Literary theory

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2022

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Poznańskie studia slawistyczne

ISSN

2084-3011

e-ISSN

—

Svazek periodika

neuveden

Číslo periodika v rámci svazku

23

Stát vydavatele periodika

PL - Polská republika

Počet stran výsledku

26

Strana od-do

167-192

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85189333225