Account books, names and music: Count Wenzel von Morzin?s Virtuosissima Orchestra

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378076%3A_____%2F12%3A00391578" target="_blank" >RIV/68378076:_____/12:00391578 - isvavai.cz</a>

Výsledek na webu

<a href="http://em.oxfordjournals.org/content/by/year" target="_blank" >http://em.oxfordjournals.org/content/by/year</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1093/em/cas130" target="_blank" >10.1093/em/cas130</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Account books, names and music: Count Wenzel von Morzin?s Virtuosissima Orchestra

Popis výsledku v původním jazyce

The private Kapellen within aristocratic households represent an important facet of musical life in 18th-century Bohemia. As a case study of the phenomenon, this article examines the orchestra of Count Wenzel Morzin, who is well known through his contacts with Antonio Vivaldi. With the help of numerous, although rather fragmentary, pieces of documentary evidence is possible to trace the beginnings of the ensemble, to provide new information about Vivaldi?s engagement as Morzin?s Maestro di musica in Italia? and to gain insight into the membership of the Kapelle, as well as recover details of the salaries of the musicians in the mid-1720s. Finally, the article outlines Morzin?s contacts with composers and characterizes the repertory of the orchestra bydefining parallels between its personnel and the instrumental music written by Morzin?s house composers? and musicians Antonín Reichenauer, Christian Gottlieb Postel and František Jiránek, which is now scattered around several, mainly Ger

Název v anglickém jazyce

Account books, names and music: Count Wenzel von Morzin?s Virtuosissima Orchestra

Popis výsledku anglicky

The private Kapellen within aristocratic households represent an important facet of musical life in 18th-century Bohemia. As a case study of the phenomenon, this article examines the orchestra of Count Wenzel Morzin, who is well known through his contacts with Antonio Vivaldi. With the help of numerous, although rather fragmentary, pieces of documentary evidence is possible to trace the beginnings of the ensemble, to provide new information about Vivaldi?s engagement as Morzin?s Maestro di musica in Italia? and to gain insight into the membership of the Kapelle, as well as recover details of the salaries of the musicians in the mid-1720s. Finally, the article outlines Morzin?s contacts with composers and characterizes the repertory of the orchestra bydefining parallels between its personnel and the instrumental music written by Morzin?s house composers? and musicians Antonín Reichenauer, Christian Gottlieb Postel and František Jiránek, which is now scattered around several, mainly Ger

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2012

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Early Music

ISSN

0306-1078

e-ISSN

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Svazek periodika

40

Číslo periodika v rámci svazku

4

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

16

Strana od-do

605-620

Kód UT WoS článku

000316918500005

EID výsledku v databázi Scopus

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