Politically Committed Songs: A Distinctive Product of the Czech Folk Revival Movement of the 1950s

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378076%3A_____%2F18%3A00520255" target="_blank" >RIV/68378076:_____/18:00520255 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.eu.avcr.cz/cs/aktuality/Folklore-Revival-Movements-in-Europe-post-1950.-Shifting-Contexts-and-Perspectives./" target="_blank" >http://www.eu.avcr.cz/cs/aktuality/Folklore-Revival-Movements-in-Europe-post-1950.-Shifting-Contexts-and-Perspectives./</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Politically Committed Songs: A Distinctive Product of the Czech Folk Revival Movement of the 1950s

Popis výsledku v původním jazyce

The beginning of Communist totalitarian era in then Czechoslovakia brought with it political declarations of a new historical epoch and a new worldview, one whose rise was to be facilitated, among other ways, by a retooling of culture. Folklore was misused more than other areas because the folk revival movement was transformed into a strong propaganda tool. ‘New folk art’ in the spirit of socialist realism demanded new songs that would reline traditional forms with contemporary content, oftentimes with political or propaganda undertones. As is clear in contemporaneous folklore research, these propaganda ‘folksongs’ were composed primarily by members of politically active folk ensembles. Despite this, these were creative individuals closely tied to the live tradition, and their composition took place within that framework.

Název v anglickém jazyce

Politically Committed Songs: A Distinctive Product of the Czech Folk Revival Movement of the 1950s

Popis výsledku anglicky

The beginning of Communist totalitarian era in then Czechoslovakia brought with it political declarations of a new historical epoch and a new worldview, one whose rise was to be facilitated, among other ways, by a retooling of culture. Folklore was misused more than other areas because the folk revival movement was transformed into a strong propaganda tool. ‘New folk art’ in the spirit of socialist realism demanded new songs that would reline traditional forms with contemporary content, oftentimes with political or propaganda undertones. As is clear in contemporaneous folklore research, these propaganda ‘folksongs’ were composed primarily by members of politically active folk ensembles. Despite this, these were creative individuals closely tied to the live tradition, and their composition took place within that framework.

Druh

D - Stať ve sborníku

CEP obor

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OECD FORD obor

50404 - Anthropology, ethnology

Projekt

<a href="/cs/project/GA17-26672S" target="_blank" >GA17-26672S: Tíha a beztíže folkloru: Folklorní hnutí druhé poloviny 20. století v českých zemích</a><br>

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2018

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název statě ve sborníku

Folklore Revival Movements in Europe post 1950: Shifting Contexts and Perspectives

ISBN

978-80-88081-22-7

ISSN

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e-ISSN

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Počet stran výsledku

14

Strana od-do

151-164

Název nakladatele

Etnologický ústav AV ČR, v.v

Místo vydání

Praha

Místo konání akce

Praha

Datum konání akce

18. 10. 2017

Typ akce podle státní příslušnosti

EUR - Evropská akce

Kód UT WoS článku

000680861800010