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The Entrepreneur in „Transformation Cinema”. Representing the Economic Changes of the 1990s in Poland, Czech Republic, and Slovakia

Identifikátory výsledku

  • Kód výsledku v IS VaVaI

    <a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378114%3A_____%2F22%3A00545272" target="_blank" >RIV/68378114:_____/22:00545272 - isvavai.cz</a>

  • Výsledek na webu

    <a href="https://journals.sagepub.com/doi/pdf/10.1177/0888325420980155" target="_blank" >https://journals.sagepub.com/doi/pdf/10.1177/0888325420980155</a>

  • DOI - Digital Object Identifier

    <a href="http://dx.doi.org/10.1177/0888325420980155" target="_blank" >10.1177/0888325420980155</a>

Alternativní jazyky

  • Jazyk výsledku

    angličtina

  • Název v původním jazyce

    The Entrepreneur in „Transformation Cinema”. Representing the Economic Changes of the 1990s in Poland, Czech Republic, and Slovakia

  • Popis výsledku v původním jazyce

    This article analyses how economic change after 1989 was perceived and rooted in society through cultural representations, specifically in the film production of Poland and Czechoslovakia (and later the Czech Republic and Slovakia). The starting premise of this investigation is that popular commercial films, alongside the media and discourse of politicians and other key actors of the systemic transformation, also informed ideas about the free market circulating in the public sphere. Filmmakers, faced with the new realities brought about initially by the gradual liberalization of the economy in the late 1980s and later the systemic change of the economic transformation in both countries, immediately turned to capturing and fictionalizing the changes surrounding them. They presented audiences with role models of what it means to be a capitalist, but also tales of warning. This article investigates the „transformation cinema” of the 1990s, focusing on the figure of the entrepreneur and private enterprise. It examines how filmmakers searched for a visual language to critique or affirm the new social order, but also continued to work with inherited modes from the late socialist era. The article asserts that while the economic expectations conveyed through cinema focused largely on structuring the imagination of a new middle class in Poland, Czech(oslovak) cinema adopted a more sceptical outlook, suggesting that the promises of the free market were not available to „ordinary” working people.

  • Název v anglickém jazyce

    The Entrepreneur in „Transformation Cinema”. Representing the Economic Changes of the 1990s in Poland, Czech Republic, and Slovakia

  • Popis výsledku anglicky

    This article analyses how economic change after 1989 was perceived and rooted in society through cultural representations, specifically in the film production of Poland and Czechoslovakia (and later the Czech Republic and Slovakia). The starting premise of this investigation is that popular commercial films, alongside the media and discourse of politicians and other key actors of the systemic transformation, also informed ideas about the free market circulating in the public sphere. Filmmakers, faced with the new realities brought about initially by the gradual liberalization of the economy in the late 1980s and later the systemic change of the economic transformation in both countries, immediately turned to capturing and fictionalizing the changes surrounding them. They presented audiences with role models of what it means to be a capitalist, but also tales of warning. This article investigates the „transformation cinema” of the 1990s, focusing on the figure of the entrepreneur and private enterprise. It examines how filmmakers searched for a visual language to critique or affirm the new social order, but also continued to work with inherited modes from the late socialist era. The article asserts that while the economic expectations conveyed through cinema focused largely on structuring the imagination of a new middle class in Poland, Czech(oslovak) cinema adopted a more sceptical outlook, suggesting that the promises of the free market were not available to „ordinary” working people.

Klasifikace

  • Druh

    J<sub>imp</sub> - Článek v periodiku v databázi Web of Science

  • CEP obor

  • OECD FORD obor

    60101 - History (history of science and technology to be 6.3, history of specific sciences to be under the respective headings)

Návaznosti výsledku

  • Projekt

  • Návaznosti

    I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Ostatní

  • Rok uplatnění

    2022

  • Kód důvěrnosti údajů

    S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Údaje specifické pro druh výsledku

  • Název periodika

    East European Politics and Societies

  • ISSN

    0888-3254

  • e-ISSN

    1533-8371

  • Svazek periodika

    36

  • Číslo periodika v rámci svazku

    2

  • Stát vydavatele periodika

    US - Spojené státy americké

  • Počet stran výsledku

    17

  • Strana od-do

    446-464

  • Kód UT WoS článku

    000649126600001

  • EID výsledku v databázi Scopus

    2-s2.0-85105499170