An Unsuccessful Rehabilitation: Performances of Dvořák's Armida in 1918-38

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00023272%3A_____%2F19%3A10134365" target="_blank" >RIV/00023272:_____/19:10134365 - isvavai.cz</a>

Výsledek na webu

<a href="https://digilib.phil.muni.cz/bitstream/handle/11222.digilib/141563/1_MusicologicaBrunensia_54-2019-1_8.pdf?sequence=1" target="_blank" >https://digilib.phil.muni.cz/bitstream/handle/11222.digilib/141563/1_MusicologicaBrunensia_54-2019-1_8.pdf?sequence=1</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5817/MB2019-1-6" target="_blank" >10.5817/MB2019-1-6</a>

Jazyk výsledku

angličtina

Název v původním jazyce

An Unsuccessful Rehabilitation: Performances of Dvořák's Armida in 1918-38

Popis výsledku v původním jazyce

Dvořák&apos;s last opera Armida to the libretto of Jaroslav Vrchlický (on the motives of Jerusalem Delivered by Torquato Tasso) has remained practically forgotten to this day. The negative public and critical reception of the 1904 premiere meant that Armida had only a brief initial run before being pulled from the National Theatre&apos;s repertoire. The myth-veiled work was abandoned until the arrival of a new political regime and a new artistic generation, which endeavoured to enter Dvořák&apos;s opera into the repertoire of Czech theatres. The most prominent of these efforts was Ostrčil&apos;s production of Armida at the National Theatre in 1928, but even that failed to secure a decisive victory for Armida. The critics questioned the quality of the libretto and the overall dramatic structure of the opera. They also discussed the style, the choice of exotic theme, and the stage design, which went against the essence of Wagnerian drama and &quot;grand opera&quot;.

Název v anglickém jazyce

An Unsuccessful Rehabilitation: Performances of Dvořák's Armida in 1918-38

Popis výsledku anglicky

Dvořák&apos;s last opera Armida to the libretto of Jaroslav Vrchlický (on the motives of Jerusalem Delivered by Torquato Tasso) has remained practically forgotten to this day. The negative public and critical reception of the 1904 premiere meant that Armida had only a brief initial run before being pulled from the National Theatre&apos;s repertoire. The myth-veiled work was abandoned until the arrival of a new political regime and a new artistic generation, which endeavoured to enter Dvořák&apos;s opera into the repertoire of Czech theatres. The most prominent of these efforts was Ostrčil&apos;s production of Armida at the National Theatre in 1928, but even that failed to secure a decisive victory for Armida. The critics questioned the quality of the libretto and the overall dramatic structure of the opera. They also discussed the style, the choice of exotic theme, and the stage design, which went against the essence of Wagnerian drama and &quot;grand opera&quot;.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2019

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Musicologica Brunensia (Studia minora Facultatis philosophicae universitatis brunensis.)

ISSN

1212-0391

e-ISSN

—

Svazek periodika

54

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

15

Strana od-do

63-77

Kód UT WoS článku

000492833700006

EID výsledku v databázi Scopus

2-s2.0-85074248696