Bedřich Smetana as an Opera Critic

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00023272%3A_____%2F24%3A10136669" target="_blank" >RIV/00023272:_____/24:10136669 - isvavai.cz</a>

Výsledek na webu

<a href="https://verlag.koenigshausen-neumann.de/oaopen/92243" target="_blank" >https://verlag.koenigshausen-neumann.de/oaopen/92243</a>

DOI - Digital Object Identifier

—

Jazyk výsledku

angličtina

Název v původním jazyce

Bedřich Smetana as an Opera Critic

Popis výsledku v původním jazyce

In addition to correspondence and diaries, Bedřich Smetana&apos;s writings also include a not quite well-known, but in consideration of his universality substantial set of his own literary texts. This is a critical activity in the period press, especially in the 1860s, when Smetana returned from Gothenburg in Sweden and became actively involved in Prague&apos;s cultural life. The composer&apos;s consistent journalistic activity from May 2, 1864 to April 15, 1865 in the Národní listy is particularly worth of attention. Smetana&apos;s articles and reports in this Czech newspaper reflect the musical culture in Prague, not only in the field of opera or concert production, but the composer also comments on newly published sheet music. This chapter focuses on Smetana as the author of reviews of opera performances. His music-critical activity in Národní listy falls in the period before he was elected chief conductor of the Czech opera in the provisional Czech Theatre. It gives us not just a view of the operatic works performed at that time and their interpretation, but is interesting as well in the context of the composer&apos;s later work as an artistic director of the opera, whose activities included proposing of the repertoire.

Název v anglickém jazyce

Bedřich Smetana as an Opera Critic

Popis výsledku anglicky

In addition to correspondence and diaries, Bedřich Smetana&apos;s writings also include a not quite well-known, but in consideration of his universality substantial set of his own literary texts. This is a critical activity in the period press, especially in the 1860s, when Smetana returned from Gothenburg in Sweden and became actively involved in Prague&apos;s cultural life. The composer&apos;s consistent journalistic activity from May 2, 1864 to April 15, 1865 in the Národní listy is particularly worth of attention. Smetana&apos;s articles and reports in this Czech newspaper reflect the musical culture in Prague, not only in the field of opera or concert production, but the composer also comments on newly published sheet music. This chapter focuses on Smetana as the author of reviews of opera performances. His music-critical activity in Národní listy falls in the period before he was elected chief conductor of the Czech opera in the provisional Czech Theatre. It gives us not just a view of the operatic works performed at that time and their interpretation, but is interesting as well in the context of the composer&apos;s later work as an artistic director of the opera, whose activities included proposing of the repertoire.

Druh

C - Kapitola v odborné knize

CEP obor

—

OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Bedřich Smetana and European Opera

ISBN

978-3-8260-8349-5

Počet stran výsledku

17

Strana od-do

155-171

Počet stran knihy

298

Název nakladatele

Königshausen &amp; Neumann

Místo vydání

Würzburg

Kód UT WoS kapitoly

—