Exhibitions of Chinese Painting in Europe in the Interwar Period: The Role of Liu Haisu as Artistic Ambassador

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00023281%3A_____%2F14%3A%230000630" target="_blank" >RIV/00023281:_____/14:#0000630 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Exhibitions of Chinese Painting in Europe in the Interwar Period: The Role of Liu Haisu as Artistic Ambassador

Popis výsledku v původním jazyce

The reception of Chinese contemporary painting on the European soil in the 1920s and 1930s represents one of the significant aspects of Sino-Western encounters in the inter-war period. After the organization of the first exhibition of Chinese modern painting in France in 1924, more than two dozens of others ensued in two subsequent decades. Some of them were shows organized by Chinese cultural leaders on behalf of the Chinese government, which regarded presenting contemporary art in Europe as a means toembellish the reputation of China as a modern and cultured country. As a result, several large European cities such as Berlin, Amsterdam, London, Milan, Geneva, Prague or Leningrad saw shows of paintings by contemporary Chinese masters, lectures on modern Chinese art, public talks of the artists and the like. The name of Liu Haisu (1896?1994), a renowned artist, founder of one of the first public institutions in China to teach Western art techniques and a prominent advocate of modernist

Název v anglickém jazyce

Exhibitions of Chinese Painting in Europe in the Interwar Period: The Role of Liu Haisu as Artistic Ambassador

Popis výsledku anglicky

The reception of Chinese contemporary painting on the European soil in the 1920s and 1930s represents one of the significant aspects of Sino-Western encounters in the inter-war period. After the organization of the first exhibition of Chinese modern painting in France in 1924, more than two dozens of others ensued in two subsequent decades. Some of them were shows organized by Chinese cultural leaders on behalf of the Chinese government, which regarded presenting contemporary art in Europe as a means toembellish the reputation of China as a modern and cultured country. As a result, several large European cities such as Berlin, Amsterdam, London, Milan, Geneva, Prague or Leningrad saw shows of paintings by contemporary Chinese masters, lectures on modern Chinese art, public talks of the artists and the like. The name of Liu Haisu (1896?1994), a renowned artist, founder of one of the first public institutions in China to teach Western art techniques and a prominent advocate of modernist

Druh

C - Kapitola v odborné knize

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2014

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

The Reception of Chinese Art Across Cultures

ISBN

9781443859097

Počet stran výsledku

21

Strana od-do

179-199

Počet stran knihy

315

Název nakladatele

Cambridge Scholars Publishing

Místo vydání

Newcastle upon Tyne

Kód UT WoS kapitoly

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