Naked Babes, Macho Feminists, and Queer Eyes. Curating Gender in Contemporary Czech and Slovak Exhibition Practice

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F13%3A10285152" target="_blank" >RIV/00216208:11210/13:10285152 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Naked Babes, Macho Feminists, and Queer Eyes. Curating Gender in Contemporary Czech and Slovak Exhibition Practice

Popis výsledku v původním jazyce

The following text analyzes gender aspects of curating on three distinctive yet overlapping levels. The first and most direct approach to gender, focusing on gender of the artist, materializes itself in the all-women and all-men group-shows. Unlike thisfirst category where gender of the creative subject is the key to the curatorial selection, the second strategy concentrates overtly on gendering of the depicted object, media, or methods used. While this curatorial approach also takes into considerationgender of the artist, it either tries to establish links between the gender of the artist and the theme he/she works with, identifies topics typical for art made by women and men, and/or seeks to analyze regimes of presentation and reception of genderedobjects. The third approach takes into consideration the previously mentioned levels, yet additionally to this, it is self-reflexive of the curatorial practice. It either stresses the problematic aspects of gender-related curating or alt

Název v anglickém jazyce

Naked Babes, Macho Feminists, and Queer Eyes. Curating Gender in Contemporary Czech and Slovak Exhibition Practice

Popis výsledku anglicky

The following text analyzes gender aspects of curating on three distinctive yet overlapping levels. The first and most direct approach to gender, focusing on gender of the artist, materializes itself in the all-women and all-men group-shows. Unlike thisfirst category where gender of the creative subject is the key to the curatorial selection, the second strategy concentrates overtly on gendering of the depicted object, media, or methods used. While this curatorial approach also takes into considerationgender of the artist, it either tries to establish links between the gender of the artist and the theme he/she works with, identifies topics typical for art made by women and men, and/or seeks to analyze regimes of presentation and reception of genderedobjects. The third approach takes into consideration the previously mentioned levels, yet additionally to this, it is self-reflexive of the curatorial practice. It either stresses the problematic aspects of gender-related curating or alt

Druh

C - Kapitola v odborné knize

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2013

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Curating 'Eastern Europe' and Beyond: Art Histories through the Exhibition

ISBN

978-3-631-64218-4

Počet stran výsledku

10

Strana od-do

186-195

Počet stran knihy

205

Název nakladatele

Peter Lang

Místo vydání

Frankfurt am Main

Kód UT WoS kapitoly

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