Migration of Images. Private Collections of Modernism and Avant-Garde and the Search for Cubism in Eastern Europe, in: Per Bäckström - Benedikt Hjatarson eds., Decentring the Avant-Garde. Avant-Garde Studies 30. Amsterdam - New York, 2014, s. 187-196

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F14%3A10194010" target="_blank" >RIV/00216208:11210/14:10194010 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Migration of Images. Private Collections of Modernism and Avant-Garde and the Search for Cubism in Eastern Europe, in: Per Bäckström - Benedikt Hjatarson eds., Decentring the Avant-Garde. Avant-Garde Studies 30. Amsterdam - New York, 2014, s. 187-196

Popis výsledku v původním jazyce

Among the key figures of collecting and merchandising Cubism , especially Picasso and Braque, was Czech art historian Vincenc Kramář. The works of Picasso from 1911-12 are the very core of his collection. The collections of Sergey Shchukin (1854-1934) and Ivan Abramovich Morozov (1871-1925) were equally important to Russian artists as well for artists who studied in and visited Moscow from time to time. The Russian galleries of Shchukin amd Morozov also had an impact on many Baltic and Polish artists, who saw these collections. The Russian modersnist collections thus had the sane significance to the local modernist milieu as the Kramář collection had for Czech Cubism, or GöstaStenman's first examples of Picasso, Braque and Derain, shown in his galleryin Helsinki in 1914, which played an importantž role for Finnish artists, especially for Ilmari Aalto.

Název v anglickém jazyce

Migration of Images. Private Collections of Modernism and Avant-Garde and the Search for Cubism in Eastern Europe, in: Per Bäckström - Benedikt Hjatarson eds., Decentring the Avant-Garde. Avant-Garde Studies 30. Amsterdam - New York, 2014, s. 187-196

Popis výsledku anglicky

Among the key figures of collecting and merchandising Cubism , especially Picasso and Braque, was Czech art historian Vincenc Kramář. The works of Picasso from 1911-12 are the very core of his collection. The collections of Sergey Shchukin (1854-1934) and Ivan Abramovich Morozov (1871-1925) were equally important to Russian artists as well for artists who studied in and visited Moscow from time to time. The Russian galleries of Shchukin amd Morozov also had an impact on many Baltic and Polish artists, who saw these collections. The Russian modersnist collections thus had the sane significance to the local modernist milieu as the Kramář collection had for Czech Cubism, or GöstaStenman's first examples of Picasso, Braque and Derain, shown in his galleryin Helsinki in 1914, which played an importantž role for Finnish artists, especially for Ilmari Aalto.

Druh

C - Kapitola v odborné knize

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2014

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Decentring the Avant-Garde. Avant-Garde Critical Studies 30

ISBN

978-90-420-3788-5

Počet stran výsledku

10

Strana od-do

187-196

Počet stran knihy

337

Název nakladatele

Editions Rodopi, B.V.

Místo vydání

Amsterdam - New York

Kód UT WoS kapitoly

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