The changes of the lyrical subject in the Slovene poetry of the sixties (20th Century)

Kód výsledku v IS VaVaI

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Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

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Název v původním jazyce

Spremembe lirskega subjekta v slovenski poeziji šestdesetih let

Popis výsledku v původním jazyce

Slovensko poezijo v šestdesetih letih 20. stoletja je zaznamoval neke vrste medbesedilni dialog. Značilna je bila heterogenost različnih poetik, delovanje neoavantgarde in soobstajanje različnih poetik. Modernizem v poeziji je prinesel bogastvo podob in simbolov, spremebe v doživljanju verza, odprtost proti različnim jezikovnim eksperimentom pa tudi metamorfoze lirskega subjekta. V nekaterih pesmih se pojavljajo persone, umetne maske lirskega subjekta (Dane Zajc, Svetlana Makarovič). Popularna je bila prva in druga slovnična oblika. V neoavantgardnih tekstih različne glasove zamenja neosebni glas, ki vodi vse ostale - tako kot v antologiji Poker Tomaža Šalamuna. Poezija postaja neosebna, subjekt se decentralizira in defokalizira. Poezija je v tem času tako opozorila na spremenjeno, fleksibilno doživljanje subjektivitete. Lirski subjekt se v poeziji v procesu depersonalizacije tudi lahko pomnoži.

Název v anglickém jazyce

The changes of the lyrical subject in the Slovene poetry of the sixties (20th Century)

Popis výsledku anglicky

Slovene poetry in the sixties of 20th Century became a kind of inter-textual dialogue. The heterogeneity of poetics was a general characterisation for poetry after the avant-garde period, where the co-existence of various poetics appeared. Modernism in the sixties brought striking symbols and metaphors, verse forms, perspectives and linguistic innovations, as well as the metamorphosis of the lyrical subject. One possibility for the changing forms of the lyrical subject is the process by which they have taken over the masque, the persona: we can analyse an assumed role of a character that represents the thoughts of a writer in the literary work by Dane Zajc and Svetlana Makarovič. They began with a specific person the writer presents as his mouthpiece. The lyrical subject expressing his feelings and ideas in the first or second singular or other grammatic forms was, in these neo-avant-garde texts, replaced by a plurality of voices or one generalised voice, who guides the discourse. In Tomaž Šalamun&apos;s anthology Poker i n 1966, a k ind of f luid subject worked a round t he decentralised individual,allowing the rupture of space and time.The poet became a kind of impersonal creator of texts. Modernity came to reveal the inconsistency of identity as something monolithic and eternal. Poetry exposed the problem of flexible, fractured identities, the pluralities of voices and the different masques of the lyrical subject as well. All of that depicted the changing features of the identities of the author in poetry. The multiplicity of the lyrical subject constructed the identity of the author.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60205 - Literary theory

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2017

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Słowiańskie tropy : Studia collectanea in honorem Juliani Kornhauser

ISBN

978-83-65432-46-9

Počet stran výsledku

13

Strana od-do

181-193

Počet stran knihy

385

Název nakladatele

Wydawnictwo &quot;scriptum&quot; Tomasz Sekunda

Místo vydání

Kraków

Kód UT WoS kapitoly

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