Is the Cubism that is Czech also Universal? Czech Art Theory (1921-1958) and Cubism as a Cultural and Transcultural Phenomenon
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F19%3A10406521" target="_blank" >RIV/00216208:11210/19:10406521 - isvavai.cz</a>
Výsledek na webu
<a href="https://courtauld.ac.uk/research/courtauld-books-online/a-reader-in-east-central-european-modernism-1918-1956/2-is-the-cubism-that-is-czech-also-universal-czech-art-theory-1921-1958-and-cubism-as-a-cultural-and-transcultural-phenomenon-marie-rakusanova" target="_blank" >https://courtauld.ac.uk/research/courtauld-books-online/a-reader-in-east-central-european-modernism-1918-1956/2-is-the-cubism-that-is-czech-also-universal-czech-art-theory-1921-1958-and-cubism-as-a-cultural-and-transcultural-phenomenon-marie-rakusanova</a>
DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Is the Cubism that is Czech also Universal? Czech Art Theory (1921-1958) and Cubism as a Cultural and Transcultural Phenomenon
Popis výsledku v původním jazyce
The period covered in this text is delimited by two books by Vincenc Kramář - Cubism (Kubismus), which came out in 1921, and Questions of Modern Art (Otázky moderního umění), published in 1958. But the study also makes selective reference to art-historical conceptions that were formulated later, for instance Miroslav Lamač's 'Cubo-Expressionism' ('kuboexpresionismus'). Attention is devoted too to other methods of interpreting Cubism favoured by Czech art history, methods partly growing out of early Cubist theory, among which we find research into 'modern realism', biographism, an idiosyncratic form of iconology enriched with suggestions of Gestalt theory, and the conception of Czech Cubism as pure 'Picassoism'. The essay analyses to what extent these interpretive frameworks really captured the characteristic features of local pre-war modernism and how far they represented a tendency to mythologise local modern art and culture.
Název v anglickém jazyce
Is the Cubism that is Czech also Universal? Czech Art Theory (1921-1958) and Cubism as a Cultural and Transcultural Phenomenon
Popis výsledku anglicky
The period covered in this text is delimited by two books by Vincenc Kramář - Cubism (Kubismus), which came out in 1921, and Questions of Modern Art (Otázky moderního umění), published in 1958. But the study also makes selective reference to art-historical conceptions that were formulated later, for instance Miroslav Lamač's 'Cubo-Expressionism' ('kuboexpresionismus'). Attention is devoted too to other methods of interpreting Cubism favoured by Czech art history, methods partly growing out of early Cubist theory, among which we find research into 'modern realism', biographism, an idiosyncratic form of iconology enriched with suggestions of Gestalt theory, and the conception of Czech Cubism as pure 'Picassoism'. The essay analyses to what extent these interpretive frameworks really captured the characteristic features of local pre-war modernism and how far they represented a tendency to mythologise local modern art and culture.
Klasifikace
Druh
C - Kapitola v odborné knize
CEP obor
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OECD FORD obor
60401 - Arts, Art history
Návaznosti výsledku
Projekt
<a href="/cs/project/GA16-06181S" target="_blank" >GA16-06181S: Hypnotizér moderního malířství. Bohumil Kubišta a neklid raných evropských avantgard</a><br>
Návaznosti
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
Ostatní
Rok uplatnění
2019
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název knihy nebo sborníku
A Reader in central European Modernism 1918-1956
ISBN
978-1-907485-11-4
Počet stran výsledku
19
Strana od-do
33-51
Počet stran knihy
427
Název nakladatele
Courtauld Books Online
Místo vydání
London
Kód UT WoS kapitoly
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