KIERKEGAARD ON THE NARRATOR AND HIS AUTHOR IN HANS CHRISTIAN ANDERSEN'S ONLY A FIDDLER
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F20%3A10420817" target="_blank" >RIV/00216208:11210/20:10420817 - isvavai.cz</a>
Výsledek na webu
<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=mczRKqCod7" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=mczRKqCod7</a>
DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
KIERKEGAARD ON THE NARRATOR AND HIS AUTHOR IN HANS CHRISTIAN ANDERSEN'S ONLY A FIDDLER
Popis výsledku v původním jazyce
Kierkegaard's literary debut was a lengthy and scathing review of Hans Christian Andersen's novel Only a Fiddler (1837), titled From the Papers of One Still Living (1838). This article focuses on Kierkegaard's treatment of the narrative mode in Andersen's novel, examining Kierkegaard's scrutiny of the novel's Er-narrator in particular. He deems the disembodied Er-narrator to be inappropriately subjectivized and severely lacking in authority. Kierkegaard's dissection of Andersen's narrator demonstrates his refined understanding of how the narrative mode impacts the reader. Furthermore, Kierkegaard's critique proves well in line with Lubomir Dolezel's understanding of the authentication function in fiction. Lastly, the article briefly examines the narrative mode employed in Kierkegaard's own writings. It is important to note that his work predominantly favours the Ich-form over the Er-form, which is largely missing from his oeuvre. Kierkegaard's review can thus be interpreted as indirectly corroborating the intentionality of Kierkegaard's narrative strategy: a strategy that seems to consist of limiting the narrator's authentication authority.
Název v anglickém jazyce
KIERKEGAARD ON THE NARRATOR AND HIS AUTHOR IN HANS CHRISTIAN ANDERSEN'S ONLY A FIDDLER
Popis výsledku anglicky
Kierkegaard's literary debut was a lengthy and scathing review of Hans Christian Andersen's novel Only a Fiddler (1837), titled From the Papers of One Still Living (1838). This article focuses on Kierkegaard's treatment of the narrative mode in Andersen's novel, examining Kierkegaard's scrutiny of the novel's Er-narrator in particular. He deems the disembodied Er-narrator to be inappropriately subjectivized and severely lacking in authority. Kierkegaard's dissection of Andersen's narrator demonstrates his refined understanding of how the narrative mode impacts the reader. Furthermore, Kierkegaard's critique proves well in line with Lubomir Dolezel's understanding of the authentication function in fiction. Lastly, the article briefly examines the narrative mode employed in Kierkegaard's own writings. It is important to note that his work predominantly favours the Ich-form over the Er-form, which is largely missing from his oeuvre. Kierkegaard's review can thus be interpreted as indirectly corroborating the intentionality of Kierkegaard's narrative strategy: a strategy that seems to consist of limiting the narrator's authentication authority.
Klasifikace
Druh
J<sub>imp</sub> - Článek v periodiku v databázi Web of Science
CEP obor
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OECD FORD obor
60205 - Literary theory
Návaznosti výsledku
Projekt
<a href="/cs/project/EF16_019%2F0000734" target="_blank" >EF16_019/0000734: Kreativita a adaptabilita jako předpoklad úspěchu Evropy v propojeném světě</a><br>
Návaznosti
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
Ostatní
Rok uplatnění
2020
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Revue Roumaine de Philosophie
ISSN
1220-5400
e-ISSN
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Svazek periodika
64
Číslo periodika v rámci svazku
2
Stát vydavatele periodika
RO - Rumunsko
Počet stran výsledku
14
Strana od-do
235-248
Kód UT WoS článku
000600431800001
EID výsledku v databázi Scopus
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