"Time's Seconds Prominent Arise / Trembling in the Façade": A Look Back at Roman Architecture. "Il Gesù" by Milada Součková.

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F22%3A10449578" target="_blank" >RIV/00216208:11210/22:10449578 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

"Time's Seconds Prominent Arise / Trembling in the Façade": A Look Back at Roman Architecture. "Il Gesù" by Milada Součková.

Popis výsledku v původním jazyce

This paper addresses Milada Součková&apos;s (1899-1983) poem &quot;Il Gesú&quot; (approx. 1976), inspired by the main church of Societas Iesu in Rome, built in 1575- 1584 and designed by Giacomo Barozzi da Vignola and Giacomo della Porta. In his innovatory treatise &quot;Das Dinggedicht&quot; (1926), written during the atmosphere of Neue Sachlichkeit, with terms like Sache, Sachlichkeit as well as Ding, Dinglichkeit and &quot;Verdinglichung&quot; being an essential part of its aesthetic approach, Kurt Oppert speaks about the architecture in poetry as &quot;the things of architecture&quot; (Dinge der Architektur) the value of which is provided by their purpose and function. However, the architectonic object is not only a &quot;thing of art&quot; (Kunst -Ding) created in a specifi c way: it is possible to see architecture - though with a certain reserve - as a specifi c form of speech. For Součková, Il Gesú is a place (locus), where concepts of poetics and cultural history, semantics, cultural and art historical and aesthetical theological reference as well as sacral and profane references meet and intersect.

Název v anglickém jazyce

"Time's Seconds Prominent Arise / Trembling in the Façade": A Look Back at Roman Architecture. "Il Gesù" by Milada Součková.

Popis výsledku anglicky

This paper addresses Milada Součková&apos;s (1899-1983) poem &quot;Il Gesú&quot; (approx. 1976), inspired by the main church of Societas Iesu in Rome, built in 1575- 1584 and designed by Giacomo Barozzi da Vignola and Giacomo della Porta. In his innovatory treatise &quot;Das Dinggedicht&quot; (1926), written during the atmosphere of Neue Sachlichkeit, with terms like Sache, Sachlichkeit as well as Ding, Dinglichkeit and &quot;Verdinglichung&quot; being an essential part of its aesthetic approach, Kurt Oppert speaks about the architecture in poetry as &quot;the things of architecture&quot; (Dinge der Architektur) the value of which is provided by their purpose and function. However, the architectonic object is not only a &quot;thing of art&quot; (Kunst -Ding) created in a specifi c way: it is possible to see architecture - though with a certain reserve - as a specifi c form of speech. For Součková, Il Gesú is a place (locus), where concepts of poetics and cultural history, semantics, cultural and art historical and aesthetical theological reference as well as sacral and profane references meet and intersect.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60205 - Literary theory

Projekt

<a href="/cs/project/EF16_019%2F0000734" target="_blank" >EF16_019/0000734: Kreativita a adaptabilita jako předpoklad úspěchu Evropy v propojeném světě</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2022

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Things in Poems. From the Shield of Achilles to Hyperobjects.

ISBN

978-80-246-4939-9

Počet stran výsledku

34

Strana od-do

161-194

Počet stran knihy

340

Název nakladatele

Karolinum Press, Charles University

Místo vydání

Praha

Kód UT WoS kapitoly

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