Music with a revolutionary purpose: jazz journalist Emanuel Uggé
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F22%3A10453983" target="_blank" >RIV/00216208:11210/22:10453983 - isvavai.cz</a>
Výsledek na webu
<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=v~IFfPzd6p" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=v~IFfPzd6p</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.54759/MUSICOLOGY-2022-0203" target="_blank" >10.54759/MUSICOLOGY-2022-0203</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Music with a revolutionary purpose: jazz journalist Emanuel Uggé
Popis výsledku v původním jazyce
Emanuel Ugge (1900-1970) ranked among the most influential Czech writers on jazz in the first half of the 20th century. This study charts his impact on the reception of jazz in the Czech context, and draws parallels with Western exponents of purist approaches to jazz, including the likes of Hugues Panassie, Rudi Blesh or Charles Edward Smith. The text also challenges the oversimplifying narrative about the strictly repressive character of the communist regime's attitude towards jazz: himself a diehard Marxist, Ugge loved jazz and publicly defended it not just in the 1930s, but as a member of the Czechoslovak Communist party still after the communist coup of 1948. He was convinced that the new order, and the country's nationalized recording industry, would finally make possible the definitive triumph over "commercial concoctions", and "pure jazz" would emerge as an authentically revolutionary force in the service of the proletariat. Ugge's influence on subsequent generations of jazz writers was essential, and his arguments continued to serve for a long time as a theoretical basis in dealing with music production organizers and censors.
Název v anglickém jazyce
Music with a revolutionary purpose: jazz journalist Emanuel Uggé
Popis výsledku anglicky
Emanuel Ugge (1900-1970) ranked among the most influential Czech writers on jazz in the first half of the 20th century. This study charts his impact on the reception of jazz in the Czech context, and draws parallels with Western exponents of purist approaches to jazz, including the likes of Hugues Panassie, Rudi Blesh or Charles Edward Smith. The text also challenges the oversimplifying narrative about the strictly repressive character of the communist regime's attitude towards jazz: himself a diehard Marxist, Ugge loved jazz and publicly defended it not just in the 1930s, but as a member of the Czechoslovak Communist party still after the communist coup of 1948. He was convinced that the new order, and the country's nationalized recording industry, would finally make possible the definitive triumph over "commercial concoctions", and "pure jazz" would emerge as an authentically revolutionary force in the service of the proletariat. Ugge's influence on subsequent generations of jazz writers was essential, and his arguments continued to serve for a long time as a theoretical basis in dealing with music production organizers and censors.
Klasifikace
Druh
J<sub>imp</sub> - Článek v periodiku v databázi Web of Science
CEP obor
—
OECD FORD obor
50401 - Sociology
Návaznosti výsledku
Projekt
—
Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2022
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Hudební věda
ISSN
0018-7003
e-ISSN
—
Svazek periodika
59
Číslo periodika v rámci svazku
2-3
Stát vydavatele periodika
CZ - Česká republika
Počet stran výsledku
69
Strana od-do
246-314
Kód UT WoS článku
000900642900004
EID výsledku v databázi Scopus
—