Jazz Semiosis: Possibilities of Applying Peirce in Music Theory
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11240%2F18%3A10392017" target="_blank" >RIV/00216208:11240/18:10392017 - isvavai.cz</a>
Výsledek na webu
<a href="https://doi.org/10.3726/b15062" target="_blank" >https://doi.org/10.3726/b15062</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.3726/b15062" target="_blank" >10.3726/b15062</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Jazz Semiosis: Possibilities of Applying Peirce in Music Theory
Popis výsledku v původním jazyce
The main question of this text is: If Peirce's semeiotic is a "truly general doctrine", how can it be used to describe music as a system of signs or how can be this doctrine applied in the specific case of jazz music? I would like to investigate two main sub-questions in this text, which are essentially related to the main one. The first is: What is the link between "music" and functions of "mind", from the point of view of Peirce's semeiotic and phenomenology? The problem is whether there is any link like this in Peircean philosophy and how does it work. The second sub-question is: Can an analysis of selected chapters of jazz music and its specific way of improvisation tell us anything about signs, semiosis and Peircean semiotics in general?
Název v anglickém jazyce
Jazz Semiosis: Possibilities of Applying Peirce in Music Theory
Popis výsledku anglicky
The main question of this text is: If Peirce's semeiotic is a "truly general doctrine", how can it be used to describe music as a system of signs or how can be this doctrine applied in the specific case of jazz music? I would like to investigate two main sub-questions in this text, which are essentially related to the main one. The first is: What is the link between "music" and functions of "mind", from the point of view of Peirce's semeiotic and phenomenology? The problem is whether there is any link like this in Peircean philosophy and how does it work. The second sub-question is: Can an analysis of selected chapters of jazz music and its specific way of improvisation tell us anything about signs, semiosis and Peircean semiotics in general?
Klasifikace
Druh
C - Kapitola v odborné knize
CEP obor
—
OECD FORD obor
60400 - Arts (arts, history of arts, performing arts, music)
Návaznosti výsledku
Projekt
—
Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2018
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název knihy nebo sborníku
Current Perspectives in Semiotics: Text, Genres, and Representations.
ISBN
978-3-631-74431-4
Počet stran výsledku
15
Strana od-do
199-213
Počet stran knihy
302
Název nakladatele
Peter Lang
Místo vydání
Oxford
Kód UT WoS kapitoly
—