Closing Formulae of Central European Cantiones : Witnesses to Tradition and Functional Fluidity in Fifteenth-Century Bohemia

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F24%3A10489585" target="_blank" >RIV/00216208:11210/24:10489585 - isvavai.cz</a>

Výsledek na webu

<a href="https://doi.org/10.1484/M.EM-EB.5.143514" target="_blank" >https://doi.org/10.1484/M.EM-EB.5.143514</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1484/M.EM-EB.5.143514" target="_blank" >10.1484/M.EM-EB.5.143514</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Closing Formulae of Central European Cantiones : Witnesses to Tradition and Functional Fluidity in Fifteenth-Century Bohemia

Popis výsledku v původním jazyce

This study focuses on the liturgical function of sacred songs preserved in 15th-century manuscripts of Bohemian provenance. The final parts of the songs usually reveal the occasions on which they were sung. Moreover, in the Bohemian manuscript tradition it is possible to compare the differences between the Catholic and the Utraquist use. The liturgical function is best seen in the genres of strophic Benedicamus and strophic introduction to lessons. A comparison of the copies of selected songs from different periods and stages in the development of the Utraquist liturgy shows a surprisingly high degree of preservation of pre-Hussite liturgical use in the period after 1430 to c.1500. The abandonment of the Benedicamus function, as illustrated by the removal of the formula &quot;Benedicamus Domino&quot;, manifests itself first in the Czech texts and only after a period of conservatism also in the Latin texts. The manuscript tradition of around 1500 also documents an effort to preserve popular hymns for which there was no room in the newer conception of liturgy.

Název v anglickém jazyce

Closing Formulae of Central European Cantiones : Witnesses to Tradition and Functional Fluidity in Fifteenth-Century Bohemia

Popis výsledku anglicky

This study focuses on the liturgical function of sacred songs preserved in 15th-century manuscripts of Bohemian provenance. The final parts of the songs usually reveal the occasions on which they were sung. Moreover, in the Bohemian manuscript tradition it is possible to compare the differences between the Catholic and the Utraquist use. The liturgical function is best seen in the genres of strophic Benedicamus and strophic introduction to lessons. A comparison of the copies of selected songs from different periods and stages in the development of the Utraquist liturgy shows a surprisingly high degree of preservation of pre-Hussite liturgical use in the period after 1430 to c.1500. The abandonment of the Benedicamus function, as illustrated by the removal of the formula &quot;Benedicamus Domino&quot;, manifests itself first in the Czech texts and only after a period of conservatism also in the Latin texts. The manuscript tradition of around 1500 also documents an effort to preserve popular hymns for which there was no room in the newer conception of liturgy.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

<a href="/cs/project/EH22_008%2F0004595" target="_blank" >EH22_008/0004595: Za hranice bezpečnosti: role konfliktu v posilování odolnosti</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Music and Liturgy for the Benedicamus Domino c.800–1650

ISBN

978-2-503-61486-1

Počet stran výsledku

13

Strana od-do

67-79

Počet stran knihy

398

Název nakladatele

Brepols Publishers

Místo vydání

Turnhout

Kód UT WoS kapitoly

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