New configurations of the audience?: the challenges of User-Generated Content for audience theory and media participation

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11230%2F11%3A10100590" target="_blank" >RIV/00216208:11230/11:10100590 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

New configurations of the audience?: the challenges of User-Generated Content for audience theory and media participation

Popis výsledku v původním jazyce

User-generated content (UGC) is seen as one of the main innovations in contemporary media worlds. As part of a digital culture that emphasizes new participatory opportunities, it claims to pose a number of challenges for our reflections about media and,more specifically, for (the more traditional forms of ) audience theory. As enthusiastic and sometimes messianic discourses of novelty often engulf "new" media technologies and practices, in combination with calls to rearticulate (or renew) our present-day ideological and theoretical frameworks, there is an equally strong need to evaluate the novelty of these practices, to contextualize them by confronting them with media practices "from the past" (which are, as always, still very present), and to consider the applicability of the "old" (so-called outdated) theoretical frameworks to make sense of the diversity of participatory practices that characterize the media configuration of today. In order to confront the thinking about UGC with

Název v anglickém jazyce

New configurations of the audience?: the challenges of User-Generated Content for audience theory and media participation

Popis výsledku anglicky

User-generated content (UGC) is seen as one of the main innovations in contemporary media worlds. As part of a digital culture that emphasizes new participatory opportunities, it claims to pose a number of challenges for our reflections about media and,more specifically, for (the more traditional forms of ) audience theory. As enthusiastic and sometimes messianic discourses of novelty often engulf "new" media technologies and practices, in combination with calls to rearticulate (or renew) our present-day ideological and theoretical frameworks, there is an equally strong need to evaluate the novelty of these practices, to contextualize them by confronting them with media practices "from the past" (which are, as always, still very present), and to consider the applicability of the "old" (so-called outdated) theoretical frameworks to make sense of the diversity of participatory practices that characterize the media configuration of today. In order to confront the thinking about UGC with

Druh

C - Kapitola v odborné knize

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

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Projekt

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Návaznosti

Z - Vyzkumny zamer (s odkazem do CEZ)

Rok uplatnění

2011

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

The handbook of media audiences

ISBN

978-1-4051-8418-2

Počet stran výsledku

23

Strana od-do

190-212

Počet stran knihy

540

Název nakladatele

Wiley-Blackwell

Místo vydání

Malden

Kód UT WoS kapitoly

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