Tourism,Marginalization and Commercialization of Art in a Small Indigenous Village in the Peruvian Andes
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11240%2F17%3A10359119" target="_blank" >RIV/00216208:11240/17:10359119 - isvavai.cz</a>
Výsledek na webu
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DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Tourism,Marginalization and Commercialization of Art in a Small Indigenous Village in the Peruvian Andes
Popis výsledku v původním jazyce
On the basis of (micro)ethnographic realities in some parts of Peru in South America (especially on the Peruvian Altiplano), this study deals with the implications of the commodification (commercialization) of certain manifestations of Native American art and it tries to answer some questions: "What effect does the commodification of native art have in the small Peruvian village in the Andean Altiplano to the local Quechua inhabitants"? "Is it a manifestation of the indigenization of modernity as the North American anthropologist Marshall Sahlins expressed in relation to the indigenous people's reactions to globalization (e.g. 1993, 2000), or is it rather an indication of early assimilation of the indigenous people of the Andean Altiplano to Peruvian society"? "Is it possible that the native art has become a part of the global business with the artistic artefacts, or is it definitely destined to be marginal goods reliant on casual sales of tourist groups"? "Are the tourists the key actors helping the involvement of the native artists in global networks"?
Název v anglickém jazyce
Tourism,Marginalization and Commercialization of Art in a Small Indigenous Village in the Peruvian Andes
Popis výsledku anglicky
On the basis of (micro)ethnographic realities in some parts of Peru in South America (especially on the Peruvian Altiplano), this study deals with the implications of the commodification (commercialization) of certain manifestations of Native American art and it tries to answer some questions: "What effect does the commodification of native art have in the small Peruvian village in the Andean Altiplano to the local Quechua inhabitants"? "Is it a manifestation of the indigenization of modernity as the North American anthropologist Marshall Sahlins expressed in relation to the indigenous people's reactions to globalization (e.g. 1993, 2000), or is it rather an indication of early assimilation of the indigenous people of the Andean Altiplano to Peruvian society"? "Is it possible that the native art has become a part of the global business with the artistic artefacts, or is it definitely destined to be marginal goods reliant on casual sales of tourist groups"? "Are the tourists the key actors helping the involvement of the native artists in global networks"?
Klasifikace
Druh
C - Kapitola v odborné knize
CEP obor
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OECD FORD obor
50404 - Anthropology, ethnology
Návaznosti výsledku
Projekt
<a href="/cs/project/GPP410%2F12%2FP860" target="_blank" >GPP410/12/P860: Ekologická změna na Madagaskaru: Betsimisarakové v glokalizovaném světě</a><br>
Návaznosti
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
Ostatní
Rok uplatnění
2017
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název knihy nebo sborníku
Identity, Tradition and Revitalization of American Indian Cultures
ISBN
978-80-246-3562-0
Počet stran výsledku
16
Strana od-do
144-159
Počet stran knihy
231
Název nakladatele
Karolinum Press
Místo vydání
Praha
Kód UT WoS kapitoly
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