Sounding signs: intentionality and repetition between Peircean and Deleuzian semiotics
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11240%2F25%3A10502005" target="_blank" >RIV/00216208:11240/25:10502005 - isvavai.cz</a>
Výsledek na webu
<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=Ho2U7Kl1kV" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=Ho2U7Kl1kV</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.12697/SSS.2025.53.1-2.06" target="_blank" >10.12697/SSS.2025.53.1-2.06</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Sounding signs: intentionality and repetition between Peircean and Deleuzian semiotics
Popis výsledku v původním jazyce
This article examines intentionality and habit formation in musical expe-rience through Deleuzian and Peircean semiotic frameworks. Through analysis of experimental music practices, particularly extreme metal and jazz, we investigate how these philosophical perspectives illuminate contemporary musical phenom-ena. The study begins with an analysis of Deleuze's critique of phenomenological intentionality and his theory of temporal synthesis at the pre-individual level. This framework is then applied to the musical subgenre of thall to demonstrate pro-cesses of differentiation and actualization. The investigation proceeds to Peirce's semeiotic approach to intentionality, focusing on habit formation and the quasi-mind in relation to musical practice. Analysis of jazz improvisation and practice routines demonstrates the explanatory power of Peircean habit acquisition theory for understanding musical skill development. The study concludes by identifying theoretical convergences and divergences between Deleuze and Peirce, particularly regarding teleology and processual becoming. This comparative analysis reveals how both philosophical approaches transcend traditional subject-object dichoto-mies while maintaining distinct positions on teleological aspects of experiential and experimental processes.
Název v anglickém jazyce
Sounding signs: intentionality and repetition between Peircean and Deleuzian semiotics
Popis výsledku anglicky
This article examines intentionality and habit formation in musical expe-rience through Deleuzian and Peircean semiotic frameworks. Through analysis of experimental music practices, particularly extreme metal and jazz, we investigate how these philosophical perspectives illuminate contemporary musical phenom-ena. The study begins with an analysis of Deleuze's critique of phenomenological intentionality and his theory of temporal synthesis at the pre-individual level. This framework is then applied to the musical subgenre of thall to demonstrate pro-cesses of differentiation and actualization. The investigation proceeds to Peirce's semeiotic approach to intentionality, focusing on habit formation and the quasi-mind in relation to musical practice. Analysis of jazz improvisation and practice routines demonstrates the explanatory power of Peircean habit acquisition theory for understanding musical skill development. The study concludes by identifying theoretical convergences and divergences between Deleuze and Peirce, particularly regarding teleology and processual becoming. This comparative analysis reveals how both philosophical approaches transcend traditional subject-object dichoto-mies while maintaining distinct positions on teleological aspects of experiential and experimental processes.
Klasifikace
Druh
J<sub>imp</sub> - Článek v periodiku v databázi Web of Science
CEP obor
—
OECD FORD obor
60301 - Philosophy, History and Philosophy of science and technology
Návaznosti výsledku
Projekt
<a href="/cs/project/GA22-17984S" target="_blank" >GA22-17984S: Ohniskové obrazy: násilí a nelidskost v současném umění a mediální kultuře</a><br>
Návaznosti
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
Ostatní
Rok uplatnění
2025
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Sign Systems Studies
ISSN
1406-4243
e-ISSN
1736-7409
Svazek periodika
53
Číslo periodika v rámci svazku
1-2
Stát vydavatele periodika
EE - Estonská republika
Počet stran výsledku
36
Strana od-do
124-159
Kód UT WoS článku
001572211500006
EID výsledku v databázi Scopus
2-s2.0-105018955583