Introduction to Optical Music Recognition: Overview and Practical Challenges

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11320%2F15%3A10294725" target="_blank" >RIV/00216208:11320/15:10294725 - isvavai.cz</a>

Výsledek na webu

<a href="http://ceur-ws.org/Vol-1343/paper6.pdf" target="_blank" >http://ceur-ws.org/Vol-1343/paper6.pdf</a>

DOI - Digital Object Identifier

—

Jazyk výsledku

angličtina

Název v původním jazyce

Introduction to Optical Music Recognition: Overview and Practical Challenges

Popis výsledku v původním jazyce

Music has been always an integral part of human culture. In our computer age, it is not surprising that there is a growing interest to store music in a digitized form. Optical music recognition (OMR) refers to a discipline that investigates music score recognition systems. This is similar to well-known optical character recognition systems, except OMR systems try to automatically transform scanned sheet music into a computer-readable format. In such a digital format, semantic information is also stored(instrumentation, notes, pitches and duration, contextual information, etc.). This article introduces the OMR field and presents an overview of the relevant literature and basic techniques. Practical challenges and questions arising from the automatic recognition of music notation and its semantic interpretation are discussed as well as the most important open issues.

Název v anglickém jazyce

Introduction to Optical Music Recognition: Overview and Practical Challenges

Popis výsledku anglicky

Music has been always an integral part of human culture. In our computer age, it is not surprising that there is a growing interest to store music in a digitized form. Optical music recognition (OMR) refers to a discipline that investigates music score recognition systems. This is similar to well-known optical character recognition systems, except OMR systems try to automatically transform scanned sheet music into a computer-readable format. In such a digital format, semantic information is also stored(instrumentation, notes, pitches and duration, contextual information, etc.). This article introduces the OMR field and presents an overview of the relevant literature and basic techniques. Practical challenges and questions arising from the automatic recognition of music notation and its semantic interpretation are discussed as well as the most important open issues.

Druh

D - Stať ve sborníku

CEP obor

IN - Informatika

OECD FORD obor

—

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2015

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název statě ve sborníku

DATESO 2015 Proceedings of the 15th annual international workshop

ISBN

978-80-7378-285-6

ISSN

1613-0073

e-ISSN

—

Počet stran výsledku

12

Strana od-do

65-76

Název nakladatele

Sun SITE Central Europe

Místo vydání

Prague, Czech Republic

Místo konání akce

Nepřívěc u Sobotky, Jičín, Czech Republic

Datum konání akce

14. 4. 2015

Typ akce podle státní příslušnosti

CST - Celostátní akce

Kód UT WoS článku

—