Dramaturgy: A Practical Theory of Filmmaking

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F11%3A00050599" target="_blank" >RIV/00216224:14210/11:00050599 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.pdfdownload.org/pdf2html/view_online.php?url=http%3A%2F%2Fddata.over-blog.com%2Fxxxyyy%2F1%2F84%2F11%2F48%2FConfStockholm.pdf" target="_blank" >http://www.pdfdownload.org/pdf2html/view_online.php?url=http%3A%2F%2Fddata.over-blog.com%2Fxxxyyy%2F1%2F84%2F11%2F48%2FConfStockholm.pdf</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Dramaturgy: A Practical Theory of Filmmaking

Popis výsledku v původním jazyce

In my paper I look at historical developments of basic production teams under the Communist rule and the ways how political and cultural changes interfered with otherwise resistant production routines and hierarchies via so-called dramaturgy. In the state-controlled system of production, the "dramaturg" was basically an equivalent to "producer", though without the usual financial and marketing responsibilities. Dramaturgy was considered the most efficient way for the official ideology to hold control over selection and execution of film projects. It was taught in film schools and discussed on various levels of the government and Party hierarchies. Dramaturgs and so-called dramaturgical units oversaw script development, selection of cast and crew, the actual shooting as well as post-production, and at some points they were even responsible for promotional materials and festival releases.

Název v anglickém jazyce

Dramaturgy: A Practical Theory of Filmmaking

Popis výsledku anglicky

In my paper I look at historical developments of basic production teams under the Communist rule and the ways how political and cultural changes interfered with otherwise resistant production routines and hierarchies via so-called dramaturgy. In the state-controlled system of production, the "dramaturg" was basically an equivalent to "producer", though without the usual financial and marketing responsibilities. Dramaturgy was considered the most efficient way for the official ideology to hold control over selection and execution of film projects. It was taught in film schools and discussed on various levels of the government and Party hierarchies. Dramaturgs and so-called dramaturgical units oversaw script development, selection of cast and crew, the actual shooting as well as post-production, and at some points they were even responsible for promotional materials and festival releases.

Druh

O - Ostatní výsledky

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

<a href="/cs/project/GAP409%2F10%2F1361" target="_blank" >GAP409/10/1361: Historie ateliérů na Barrandově z hlediska organizace a kultury filmové výroby</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2011

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů