How Many Steps to the Shooting Script? A Political History of Screenwriting

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F13%3A00066675" target="_blank" >RIV/00216224:14210/13:00066675 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

How Many Steps to the Shooting Script? A Political History of Screenwriting

Popis výsledku v původním jazyce

This essay explores the inner workings and power dynamics involved in story development in the history of Czech cinema. It focuses on the political history of screenplay development practices and formats, especially on the "Literary Screenplay". This Soviet-inspired screenplay type was introduced to Eastern Europe in the late-Stalinist era to attract literary authors to write for the screen, to elevate the cultural status of the screenplay, and to facilitate pre-censorship. The primary means by which communist ideologues sought to reform screenwriting was the dramaturgy, organized in a complex hierarchy of dramaturgical institutions with the state or central dramaturgy at the top and "units" at the bottom. In the state-controlled system of production,the dramaturg or unit head supervising four dramaturgs was a close equivalent to a producer albeit without the usual financial, green-lighting, and marketing responsibilities, which were held by the state or by the Party and its represent

Název v anglickém jazyce

How Many Steps to the Shooting Script? A Political History of Screenwriting

Popis výsledku anglicky

This essay explores the inner workings and power dynamics involved in story development in the history of Czech cinema. It focuses on the political history of screenplay development practices and formats, especially on the "Literary Screenplay". This Soviet-inspired screenplay type was introduced to Eastern Europe in the late-Stalinist era to attract literary authors to write for the screen, to elevate the cultural status of the screenplay, and to facilitate pre-censorship. The primary means by which communist ideologues sought to reform screenwriting was the dramaturgy, organized in a complex hierarchy of dramaturgical institutions with the state or central dramaturgy at the top and "units" at the bottom. In the state-controlled system of production,the dramaturg or unit head supervising four dramaturgs was a close equivalent to a producer albeit without the usual financial, green-lighting, and marketing responsibilities, which were held by the state or by the Party and its represent

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

<a href="/cs/project/GAP409%2F10%2F1361" target="_blank" >GAP409/10/1361: Historie ateliérů na Barrandově z hlediska organizace a kultury filmové výroby</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2013

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Iluminace : časopis pro teorii, historii a estetiku filmu

ISSN

0862-397X

e-ISSN

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Svazek periodika

roč. 25

Číslo periodika v rámci svazku

č. 3

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

26

Strana od-do

73-98

Kód UT WoS článku

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EID výsledku v databázi Scopus

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