Micropolitics of Screenplay Development: A Political History

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F13%3A00066694" target="_blank" >RIV/00216224:14210/13:00066694 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Micropolitics of Screenplay Development: A Political History

Popis výsledku v původním jazyce

This paper will explore the inner workings and power dynamics of communities of practice (or "screen idea work groups" -- see Macdonald 2010) involved in story development in the history of Czech cinema. It will focus on the political history of screenplay development practices and formats, especially on so-called "literary screenplay" -- a Soviet type of scenario introduced in the Eastern Europe in the late Stalinist era to attract literary authors to write for screen, to elevate the cultural status ofthe screenplay, and to facilitate pre-censorship. The primary means for the communist ideologues to reform screenwriting was so-called dramaturgy, organized in a complex hierarchy of dramaturgical institutions, with state or central dramaturgy at the top and so-called "units" at the bottom.

Název v anglickém jazyce

Micropolitics of Screenplay Development: A Political History

Popis výsledku anglicky

This paper will explore the inner workings and power dynamics of communities of practice (or "screen idea work groups" -- see Macdonald 2010) involved in story development in the history of Czech cinema. It will focus on the political history of screenplay development practices and formats, especially on so-called "literary screenplay" -- a Soviet type of scenario introduced in the Eastern Europe in the late Stalinist era to attract literary authors to write for screen, to elevate the cultural status ofthe screenplay, and to facilitate pre-censorship. The primary means for the communist ideologues to reform screenwriting was so-called dramaturgy, organized in a complex hierarchy of dramaturgical institutions, with state or central dramaturgy at the top and so-called "units" at the bottom.

Druh

O - Ostatní výsledky

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

<a href="/cs/project/GAP409%2F10%2F1361" target="_blank" >GAP409/10/1361: Historie ateliérů na Barrandově z hlediska organizace a kultury filmové výroby</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2013

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů