The Aura of Remembering

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F11%3A00054131" target="_blank" >RIV/00216224:14210/11:00054131 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

The Aura of Remembering

Popis výsledku v původním jazyce

Abstract ?What served in place of the photograph, before the camera?s invention? The expected answer is the engraving, the drawing, the painting. The more revealing answer might be: memory. What photographs do out there in space was previously done withreflection.? John Berger: About Looking, 1980. In my presentation, I follow ways of transposition and appropriation of Benjamin?s notions of reproduction and especially aura in a new media discourse. The ways in which Walter Benjamin?s concepts are transferred into the new media discourse will be illustrated by the question of translation understood as a result of relocation and by characteristics of the field of digital media memory, which is replacing historical knowledge and awareness. I claim that the aura of the artwork has not disappeared even as categories like original and copy have lost their relevance in the age of digital media, but it has transformed itself and has become part of new creative methods as are re-enactments.

Název v anglickém jazyce

The Aura of Remembering

Popis výsledku anglicky

Abstract ?What served in place of the photograph, before the camera?s invention? The expected answer is the engraving, the drawing, the painting. The more revealing answer might be: memory. What photographs do out there in space was previously done withreflection.? John Berger: About Looking, 1980. In my presentation, I follow ways of transposition and appropriation of Benjamin?s notions of reproduction and especially aura in a new media discourse. The ways in which Walter Benjamin?s concepts are transferred into the new media discourse will be illustrated by the question of translation understood as a result of relocation and by characteristics of the field of digital media memory, which is replacing historical knowledge and awareness. I claim that the aura of the artwork has not disappeared even as categories like original and copy have lost their relevance in the age of digital media, but it has transformed itself and has become part of new creative methods as are re-enactments.

Druh

O - Ostatní výsledky

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

<a href="/cs/project/LC544" target="_blank" >LC544: Výzkum funkcí techniky při vzniku a provozování múzického díla</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2011

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů