Changes in composition from film to game music
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F12%3A00063298" target="_blank" >RIV/00216224:14210/12:00063298 - isvavai.cz</a>
Výsledek na webu
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DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Changes in composition from film to game music
Popis výsledku v původním jazyce
Composers in recent years slowly migrate to a new type of livelihood: composing music for digital games. Some mechanisms are repeating (gradual splitting into mainstream versus indie scene, yearning for "Hollywood sound", etc.), others put new demands oncomposers (an adaptive audio, a cybertext structure of the composition, etc.). The game industry has already established a cooperation with big names of the film music such as Michael Nyman or John Williams. What challenges pose digital games to composers today? What is the connection between anthropological concept of a game and music as a part of a culture? In the recent paper I will try to answer these questions as well as raise many other.
Název v anglickém jazyce
Changes in composition from film to game music
Popis výsledku anglicky
Composers in recent years slowly migrate to a new type of livelihood: composing music for digital games. Some mechanisms are repeating (gradual splitting into mainstream versus indie scene, yearning for "Hollywood sound", etc.), others put new demands oncomposers (an adaptive audio, a cybertext structure of the composition, etc.). The game industry has already established a cooperation with big names of the film music such as Michael Nyman or John Williams. What challenges pose digital games to composers today? What is the connection between anthropological concept of a game and music as a part of a culture? In the recent paper I will try to answer these questions as well as raise many other.
Klasifikace
Druh
O - Ostatní výsledky
CEP obor
AL - Umění, architektura, kulturní dědictví
OECD FORD obor
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Návaznosti výsledku
Projekt
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Návaznosti
S - Specificky vyzkum na vysokych skolach
Ostatní
Rok uplatnění
2012
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů