The Music Video in Transformation: Notes on a Hybrid Audiovisual Configuration

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F19%3A73598942" target="_blank" >RIV/61989592:15210/19:73598942 - isvavai.cz</a>

Výsledek na webu

<a href="https://obd.upol.cz/id_publ/333178828" target="_blank" >https://obd.upol.cz/id_publ/333178828</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.3828/msmi.2019.7" target="_blank" >10.3828/msmi.2019.7</a>

Jazyk výsledku

angličtina

Název v původním jazyce

The Music Video in Transformation: Notes on a Hybrid Audiovisual Configuration

Popis výsledku v původním jazyce

Recent years have witnessed an increasing scholarly interest in the phenomenon of the music video, even to such an extent that some of the recent works point to a paradigmatic ‘music video turn’ that could be tentatively defined as research into music video’s digital production, circulation platforms, and distribution channels, as well as its new media formations. Drawing on the latest research in the audiovisual studies and putting the contributions of this special issue. entitled &quot;Music video in Transformation&quot; in dialogue with each other (Steven Shaviro, Carol Vernallis, Lisa Perott, Anders Liljedahl and others), this essay argues that music video has become a highly popular laboratory of digital innovations and new media experiments reaching an ever-growing audience and creating its own internet dispositif in the form of YouTube. It also provides several useful concepts for the research of three dominant music video areas: production, reception, and distribution.

Název v anglickém jazyce

The Music Video in Transformation: Notes on a Hybrid Audiovisual Configuration

Popis výsledku anglicky

Recent years have witnessed an increasing scholarly interest in the phenomenon of the music video, even to such an extent that some of the recent works point to a paradigmatic ‘music video turn’ that could be tentatively defined as research into music video’s digital production, circulation platforms, and distribution channels, as well as its new media formations. Drawing on the latest research in the audiovisual studies and putting the contributions of this special issue. entitled &quot;Music video in Transformation&quot; in dialogue with each other (Steven Shaviro, Carol Vernallis, Lisa Perott, Anders Liljedahl and others), this essay argues that music video has become a highly popular laboratory of digital innovations and new media experiments reaching an ever-growing audience and creating its own internet dispositif in the form of YouTube. It also provides several useful concepts for the research of three dominant music video areas: production, reception, and distribution.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2019

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Music Sound and the Moving Image

ISSN

1753-0768

e-ISSN

—

Svazek periodika

13

Číslo periodika v rámci svazku

2

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

12

Strana od-do

111-122

Kód UT WoS článku

000514818300001

EID výsledku v databázi Scopus

2-s2.0-85079818032