Chandler?s Spider Women ? Female Criminality from Page to Screen

Kód výsledku v IS VaVaI

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Nalezeny alternativní kódy

RIV/00216224:14210/12:00064244

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Chandler?s Spider Women ? Female Criminality from Page to Screen

Popis výsledku v původním jazyce

This article focuses on the female criminality presented in Raymond Chandler's novels The Big Sleep and Farewell, My Lovely and their subsequent screen adaptations of two different eras ? The Big Sleep (1946 and 1978), Murder, My Sweet (1944) and Farewell, My Lovely (1975). Here I try to prove that Chandler's presentation of female criminality has been simplified and schematized in these films, the films that were influenced by the social climate of the era they were shot in. Chandler's portrayal and exposure of crime committed by women ? homicide, nymphomania, prostitution, pornography, blackmail, and calculated deceit ? is in these films either completely erased or altered, thus adding a different dimension to the meaning proposed in the novel. Chandler's approach to the criminal/femme fatale(s) is his/Marlowe's obvious compassion towards the woman and moreover he does not pigeon-hole this character.

Název v anglickém jazyce

Chandler?s Spider Women ? Female Criminality from Page to Screen

Popis výsledku anglicky

This article focuses on the female criminality presented in Raymond Chandler's novels The Big Sleep and Farewell, My Lovely and their subsequent screen adaptations of two different eras ? The Big Sleep (1946 and 1978), Murder, My Sweet (1944) and Farewell, My Lovely (1975). Here I try to prove that Chandler's presentation of female criminality has been simplified and schematized in these films, the films that were influenced by the social climate of the era they were shot in. Chandler's portrayal and exposure of crime committed by women ? homicide, nymphomania, prostitution, pornography, blackmail, and calculated deceit ? is in these films either completely erased or altered, thus adding a different dimension to the meaning proposed in the novel. Chandler's approach to the criminal/femme fatale(s) is his/Marlowe's obvious compassion towards the woman and moreover he does not pigeon-hole this character.

Druh

O - Ostatní výsledky

CEP obor

AI - Jazykověda

OECD FORD obor

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Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2012

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů