Mickey Spillane?s Violent Crusade from Pages to Screen

Kód výsledku v IS VaVaI

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Nalezeny alternativní kódy

RIV/00216224:14210/13:00068424

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Mickey Spillane?s Violent Crusade from Pages to Screen

Popis výsledku v původním jazyce

The American hard-boiled detective fiction differs from the Classic British 'whodunit' primarily in a frequent use and realistic description of violence. However, violence does not exist only in crime fiction but also in literature as such, painting, theater, in all arts. Cinema, most likely, presents violence in the most vivid terms. Therefore, this article focuses on element of violence and its transformation from page to screen. The 'sample' for the analysis comprises of Mickey Spillane's hard-boileddetective fiction featuring the private detective Mike Hammer, novels I, the Jury (1947), My Gun Is Quick (1950), and Kiss Me, Deadly (1952) which were turned into quintessential films noir of the 1950s ? I, the Jury (1955), Kiss Me, Deadly (1955), andMy Gun Is Quick (1957). Spillane's fiction, scorned by critics, is regarded as overly violent, sadistic, and misogynistic ? nothing like Dashiell Hammett, Raymond Chandler or Ross Macdonald's.

Název v anglickém jazyce

Mickey Spillane?s Violent Crusade from Pages to Screen

Popis výsledku anglicky

The American hard-boiled detective fiction differs from the Classic British 'whodunit' primarily in a frequent use and realistic description of violence. However, violence does not exist only in crime fiction but also in literature as such, painting, theater, in all arts. Cinema, most likely, presents violence in the most vivid terms. Therefore, this article focuses on element of violence and its transformation from page to screen. The 'sample' for the analysis comprises of Mickey Spillane's hard-boileddetective fiction featuring the private detective Mike Hammer, novels I, the Jury (1947), My Gun Is Quick (1950), and Kiss Me, Deadly (1952) which were turned into quintessential films noir of the 1950s ? I, the Jury (1955), Kiss Me, Deadly (1955), andMy Gun Is Quick (1957). Spillane's fiction, scorned by critics, is regarded as overly violent, sadistic, and misogynistic ? nothing like Dashiell Hammett, Raymond Chandler or Ross Macdonald's.

Druh

O - Ostatní výsledky

CEP obor

AI - Jazykověda

OECD FORD obor

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Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2013

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů