?Make It up to Me Now? Hard-Boiled Mike Hammer and Seductive Babes

Kód výsledku v IS VaVaI

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Nalezeny alternativní kódy

RIV/00216224:14210/13:00071467

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

?Make It up to Me Now? Hard-Boiled Mike Hammer and Seductive Babes

Popis výsledku v původním jazyce

This presentation focuses on the element of male and female sexuality and its transformation from page to screen. The 'sample' for the analysis comprises of Mickey Spillane's hard-boiled detective fiction featuring the private detective Mike Hammer, novels I, the Jury (1947), My Gun Is Quick (1950), and Kiss Me, Deadly (1952) which were turned into film noirs of the 1950s ? I, the Jury (1953), Kiss Me, Deadly (1955), and My Gun Is Quick (1957). I will be analyzing how the Hollywood filmmakers adapted the graphic sexuality from Spillane's novels to the screen while being constrained by the restrictions of the Motion Picture Production Code (1930-1968). And simultaneously I will be applying a social history approach ? examining sexuality in relation to historical events and social climate distinctive for the America's 1950s. I am going to ascertain how and why the sexuality presented on the pages of Mickey Spillane's novels were either completely left out or altered in chosen film noirs.

Název v anglickém jazyce

?Make It up to Me Now? Hard-Boiled Mike Hammer and Seductive Babes

Popis výsledku anglicky

This presentation focuses on the element of male and female sexuality and its transformation from page to screen. The 'sample' for the analysis comprises of Mickey Spillane's hard-boiled detective fiction featuring the private detective Mike Hammer, novels I, the Jury (1947), My Gun Is Quick (1950), and Kiss Me, Deadly (1952) which were turned into film noirs of the 1950s ? I, the Jury (1953), Kiss Me, Deadly (1955), and My Gun Is Quick (1957). I will be analyzing how the Hollywood filmmakers adapted the graphic sexuality from Spillane's novels to the screen while being constrained by the restrictions of the Motion Picture Production Code (1930-1968). And simultaneously I will be applying a social history approach ? examining sexuality in relation to historical events and social climate distinctive for the America's 1950s. I am going to ascertain how and why the sexuality presented on the pages of Mickey Spillane's novels were either completely left out or altered in chosen film noirs.

Druh

O - Ostatní výsledky

CEP obor

AI - Jazykověda

OECD FORD obor

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Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2013

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů