Fakes, Forgeries, and Robots: From the comedy of substitution to the theatre of affect

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F13%3A00070973" target="_blank" >RIV/00216224:14210/13:00070973 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.cafe-neu-romance.com/press-media/cnr-2013/cnr-2013-lectures-jana-horakova-(cze)" target="_blank" >http://www.cafe-neu-romance.com/press-media/cnr-2013/cnr-2013-lectures-jana-horakova-(cze)</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Fakes, Forgeries, and Robots: From the comedy of substitution to the theatre of affect

Popis výsledku v původním jazyce

I would like to deal with the blind spot in the spectrum of ROBOTS' interpretations. So far, Robots have been taken as a natural part of our culture. We can meet with them on movie screens, on pages of sci-fi magazines and books, in toyshops and household appliances shops, or in factories, we can see them in rescue operations and space expeditions on TV, etc. However, the original Robots, the drama characters, which were for the first time introduced to the world in the play R. U. R., Rossum's UniversalRobots (1920/21) by Karel Capek, has been escaping serious analyses from the aesthetics point of view. Therefore, I would like to go back to the roots of the Robot's meaning, to introduce the Robot as a special kind of artistic medium. The Robot will beanalysed within the perspective of semiology of theatre, and semiology of fakes and forgeries.

Název v anglickém jazyce

Fakes, Forgeries, and Robots: From the comedy of substitution to the theatre of affect

Popis výsledku anglicky

I would like to deal with the blind spot in the spectrum of ROBOTS' interpretations. So far, Robots have been taken as a natural part of our culture. We can meet with them on movie screens, on pages of sci-fi magazines and books, in toyshops and household appliances shops, or in factories, we can see them in rescue operations and space expeditions on TV, etc. However, the original Robots, the drama characters, which were for the first time introduced to the world in the play R. U. R., Rossum's UniversalRobots (1920/21) by Karel Capek, has been escaping serious analyses from the aesthetics point of view. Therefore, I would like to go back to the roots of the Robot's meaning, to introduce the Robot as a special kind of artistic medium. The Robot will beanalysed within the perspective of semiology of theatre, and semiology of fakes and forgeries.

Druh

O - Ostatní výsledky

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2013

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů