The (Restored) Practice of DEFA Co-productions with the ?Normalized? Czechoslovak Film Studio in the 1970s

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F13%3A00073077" target="_blank" >RIV/00216224:14210/13:00073077 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

The (Restored) Practice of DEFA Co-productions with the ?Normalized? Czechoslovak Film Studio in the 1970s

Popis výsledku v původním jazyce

The article focuses on a renewal of cooperation between the film studios Barrandov and DEFA at the start of so called normalization in Czechoslovakia. while the end of independent production groups at DEFA and Barrandov certainly damaged the creative environment and the quality of productions as a whole, it also had an unforeseeable effect: namely, the revival of DEFA-Barrandov co-productions. On the German side, DEFA was interested in financial and technical support and, above all, in help from experienced practitioners, especially scriptwriters. On the Czech side, Barrandov´s filmmakers?now isolated from previous contact with western partners and under strict ideological control?strove to shape the DEFA projects they were offered according to their own criteria, where before they might have rejected projects they considered to be of dubious quality. There was thus a harmonization of goals and tools, which worked especially well in the sphere of children movies.

Název v anglickém jazyce

The (Restored) Practice of DEFA Co-productions with the ?Normalized? Czechoslovak Film Studio in the 1970s

Popis výsledku anglicky

The article focuses on a renewal of cooperation between the film studios Barrandov and DEFA at the start of so called normalization in Czechoslovakia. while the end of independent production groups at DEFA and Barrandov certainly damaged the creative environment and the quality of productions as a whole, it also had an unforeseeable effect: namely, the revival of DEFA-Barrandov co-productions. On the German side, DEFA was interested in financial and technical support and, above all, in help from experienced practitioners, especially scriptwriters. On the Czech side, Barrandov´s filmmakers?now isolated from previous contact with western partners and under strict ideological control?strove to shape the DEFA projects they were offered according to their own criteria, where before they might have rejected projects they considered to be of dubious quality. There was thus a harmonization of goals and tools, which worked especially well in the sphere of children movies.

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

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Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2013

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication

ISSN

1731-450X

e-ISSN

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Svazek periodika

22/XIII

Číslo periodika v rámci svazku

Winter

Stát vydavatele periodika

PL - Polská republika

Počet stran výsledku

11

Strana od-do

189-199

Kód UT WoS článku

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EID výsledku v databázi Scopus

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