Risk and Trust in State-Socialist Co-Production Practice: DEFA-Barrandov Collaborations of 1970s and 1980s

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F15%3A00085526" target="_blank" >RIV/00216224:14210/15:00085526 - isvavai.cz</a>

Výsledek na webu

—

DOI - Digital Object Identifier

—

Jazyk výsledku

angličtina

Název v původním jazyce

Risk and Trust in State-Socialist Co-Production Practice: DEFA-Barrandov Collaborations of 1970s and 1980s

Popis výsledku v původním jazyce

The presented research implies that the most persistent and successful series of co-productions between DEFA and Barrandov strongly benefited from the high level of institutional trust. This trust was rooted in professionalization and corporate culture of the Barrandov's dramaturgical group of films for children and youth, as well as in the networks established with the partnering DEFA groups. On the other side, the main source of risk and uncertainty came from the corporate central dramaturgy. Co-production projects with the ideologically "trusted" partner were less exposed to unpredictable interventions during the later phase of the project. On the other side, co-productions were more closely followed in the preliminary phase, as it would be extremely difficult to stop a work on project with a socialist country. In general, however, DEFA and Barrandov of the 1970s and 1980s became politically pretty trustable partners in the eyes of the central dramaturgies.

Název v anglickém jazyce

Risk and Trust in State-Socialist Co-Production Practice: DEFA-Barrandov Collaborations of 1970s and 1980s

Popis výsledku anglicky

The presented research implies that the most persistent and successful series of co-productions between DEFA and Barrandov strongly benefited from the high level of institutional trust. This trust was rooted in professionalization and corporate culture of the Barrandov's dramaturgical group of films for children and youth, as well as in the networks established with the partnering DEFA groups. On the other side, the main source of risk and uncertainty came from the corporate central dramaturgy. Co-production projects with the ideologically "trusted" partner were less exposed to unpredictable interventions during the later phase of the project. On the other side, co-productions were more closely followed in the preliminary phase, as it would be extremely difficult to stop a work on project with a socialist country. In general, however, DEFA and Barrandov of the 1970s and 1980s became politically pretty trustable partners in the eyes of the central dramaturgies.

Druh

O - Ostatní výsledky

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

—

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2015

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů