Stage Metaphor and Directing of Opera: Brno, Second Half of the 20th Century

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F16%3A00088387" target="_blank" >RIV/00216224:14210/16:00088387 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Stage Metaphor and Directing of Opera: Brno, Second Half of the 20th Century

Popis výsledku v původním jazyce

In the field of theatre studies including the area of performance analysis metaphor is still treated as a figurative expression which should above all have an aesthetic function. For several decades the term “theatrical (stage) metaphor” serves as a very commonplace and often used device of the theoretical reflection of an operatic production. The paper focuses on the notion of “theatrical (stage) metaphor” as a crucial principle of staging of an opera. The presentation aims to examine the notion of metaphor from the perspectives of conceptual metaphor theory and more classical definitions of the notion (metaphor) in the field of theatre studies. It will be focused mostly on the staging practice in Brno in the second half of the 20th century, especially on the opera works based on the plays by William Shakespeare, including the masterpieces by Giuseppe Verdi (Macbeth, Otello) directed e.g. by Miloš Wasserbauer, Václav Věžník etc.

Název v anglickém jazyce

Stage Metaphor and Directing of Opera: Brno, Second Half of the 20th Century

Popis výsledku anglicky

In the field of theatre studies including the area of performance analysis metaphor is still treated as a figurative expression which should above all have an aesthetic function. For several decades the term “theatrical (stage) metaphor” serves as a very commonplace and often used device of the theoretical reflection of an operatic production. The paper focuses on the notion of “theatrical (stage) metaphor” as a crucial principle of staging of an opera. The presentation aims to examine the notion of metaphor from the perspectives of conceptual metaphor theory and more classical definitions of the notion (metaphor) in the field of theatre studies. It will be focused mostly on the staging practice in Brno in the second half of the 20th century, especially on the opera works based on the plays by William Shakespeare, including the masterpieces by Giuseppe Verdi (Macbeth, Otello) directed e.g. by Miloš Wasserbauer, Václav Věžník etc.

Druh

O - Ostatní výsledky

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

<a href="/cs/project/GA15-06548S" target="_blank" >GA15-06548S: Generace režiséra Miloše Wasserbauera a progresivní dramaturgie v opeře Státního divadla v Brně</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2016

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů