Early Development of the "Stage Indian" : From the Paxton Boys to the Wild West Show

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F16%3A00091700" target="_blank" >RIV/00216224:14210/16:00091700 - isvavai.cz</a>

Výsledek na webu

<a href="http://strengtheningconne.wixsite.com/aboriginalconference" target="_blank" >http://strengtheningconne.wixsite.com/aboriginalconference</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Early Development of the "Stage Indian" : From the Paxton Boys to the Wild West Show

Popis výsledku v původním jazyce

Early Development of the "Stage Indian": From The Paxton Boys to the Wild West Show. Preliminary abstract: Early American drama and theatre in the 18th and 19th centuries saw several stages of defining, re-shaping and exploiting the dramatic character which has become known as the "stage Indian". Like any other stock character of its own kind, the "stage Indian" represents a set of qualities and values, which rather reflect period theatrical conventions (a construct of an aesthetic norm) than historically accurate descriptions. The "stage Indian" delivered a "native flavor" to period drama. The clash between the "stage Indian", and even more so of Native American actors/performers and their stage-identities later on, and conventions of melodrama of the 19th century American theatre (for example, Forrest's impersonation of Metamora and Native American chiefs' roles in the Wild West Show, respectively) gave rise to a range of character types, which have become a staple of the American cultural industry.

Název v anglickém jazyce

Early Development of the "Stage Indian" : From the Paxton Boys to the Wild West Show

Popis výsledku anglicky

Early Development of the "Stage Indian": From The Paxton Boys to the Wild West Show. Preliminary abstract: Early American drama and theatre in the 18th and 19th centuries saw several stages of defining, re-shaping and exploiting the dramatic character which has become known as the "stage Indian". Like any other stock character of its own kind, the "stage Indian" represents a set of qualities and values, which rather reflect period theatrical conventions (a construct of an aesthetic norm) than historically accurate descriptions. The "stage Indian" delivered a "native flavor" to period drama. The clash between the "stage Indian", and even more so of Native American actors/performers and their stage-identities later on, and conventions of melodrama of the 19th century American theatre (for example, Forrest's impersonation of Metamora and Native American chiefs' roles in the Wild West Show, respectively) gave rise to a range of character types, which have become a staple of the American cultural industry.

Druh

O - Ostatní výsledky

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

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Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach<br>I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2016

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů