The Gestures That Software Culture Is Made Of

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F16%3A00092797" target="_blank" >RIV/00216224:14210/16:00092797 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

The Gestures That Software Culture Is Made Of

Popis výsledku v původním jazyce

Vilém Flusser’s concepts of “computed / composed” media and their transformative power to change the consciousness of man, their model of the world, and thus their art and culture, has a lot in common with software studies, their preference of programmer’s hands-on point of view to user’s point of view, their re-union of theory and practice by embracing artistic practices into the software studies discourse and calling them a primary research of the discipline, their experimental searching for new methodologies of software culture research. The argument of the paper departs from Flusser’s characteristics of cultural production in the information societies as a “wakeful dreaming” and the aesthetics of software art and it aims to claim that Flusser’s General theory of gesture can be considered as another methodological approach to the study of cultural production within an environment of programmed media.

Název v anglickém jazyce

The Gestures That Software Culture Is Made Of

Popis výsledku anglicky

Vilém Flusser’s concepts of “computed / composed” media and their transformative power to change the consciousness of man, their model of the world, and thus their art and culture, has a lot in common with software studies, their preference of programmer’s hands-on point of view to user’s point of view, their re-union of theory and practice by embracing artistic practices into the software studies discourse and calling them a primary research of the discipline, their experimental searching for new methodologies of software culture research. The argument of the paper departs from Flusser’s characteristics of cultural production in the information societies as a “wakeful dreaming” and the aesthetics of software art and it aims to claim that Flusser’s General theory of gesture can be considered as another methodological approach to the study of cultural production within an environment of programmed media.

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2016

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

MAP - Media / Archive / Performance

ISSN

2191-0901

e-ISSN

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Svazek periodika

2016

Číslo periodika v rámci svazku

7

Stát vydavatele periodika

DE - Spolková republika Německo

Počet stran výsledku

18

Strana od-do

1-18

Kód UT WoS článku

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EID výsledku v databázi Scopus

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