‘Feel the film’ : Film projectionists and professional memory

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F17%3A00096051" target="_blank" >RIV/00216224:14210/17:00096051 - isvavai.cz</a>

Výsledek na webu

<a href="http://dx.doi.org/10.1177/1750698016670789" target="_blank" >http://dx.doi.org/10.1177/1750698016670789</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1177/1750698016670789" target="_blank" >10.1177/1750698016670789</a>

Jazyk výsledku

angličtina

Název v původním jazyce

‘Feel the film’ : Film projectionists and professional memory

Popis výsledku v původním jazyce

Deploying concepts of professional memory and communities of practice, this article draws on interviews with two generations of film projectionists in Brno in the Czech Republic to investigate the profession of film projectionist as a phenomenon at the boundaries of memory studies, sociology, social anthropology and film history. From this standpoint, a study of cinema employees’ professional memory revises and refines the concept of cinema memory as examined from the cinemagoer’s perspective. The article sets out the key tropes of projectionists’ memories and discusses them in the context of the legal background, professional status, standards of good practice and relationships within the professional community. Analysing the conditions under which the professional identity of film projectionist has been formed, it takes into account the current obsolescence of traditional screening techniques and analyses the significance of film screening quality and the related perception of the projectionist as a creator of a screening as significant motifs in projectionists’ memories.

Název v anglickém jazyce

‘Feel the film’ : Film projectionists and professional memory

Popis výsledku anglicky

Deploying concepts of professional memory and communities of practice, this article draws on interviews with two generations of film projectionists in Brno in the Czech Republic to investigate the profession of film projectionist as a phenomenon at the boundaries of memory studies, sociology, social anthropology and film history. From this standpoint, a study of cinema employees’ professional memory revises and refines the concept of cinema memory as examined from the cinemagoer’s perspective. The article sets out the key tropes of projectionists’ memories and discusses them in the context of the legal background, professional status, standards of good practice and relationships within the professional community. Analysing the conditions under which the professional identity of film projectionist has been formed, it takes into account the current obsolescence of traditional screening techniques and analyses the significance of film screening quality and the related perception of the projectionist as a creator of a screening as significant motifs in projectionists’ memories.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

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OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2017

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Memory Studies

ISSN

1750-6980

e-ISSN

—

Svazek periodika

10

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

US - Spojené státy americké

Počet stran výsledku

14

Strana od-do

49-62

Kód UT WoS článku

000391804900004

EID výsledku v databázi Scopus

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