Searching for Ideal Price Discrimination in the History of Opera: Lottery as a Way to Get a Consumer Surplus

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F18%3A00103021" target="_blank" >RIV/00216224:14210/18:00103021 - isvavai.cz</a>

Výsledek na webu

<a href="http://dx.doi.org/10.5817/MB2018-1-10" target="_blank" >http://dx.doi.org/10.5817/MB2018-1-10</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5817/MB2018-1-10" target="_blank" >10.5817/MB2018-1-10</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Searching for Ideal Price Discrimination in the History of Opera: Lottery as a Way to Get a Consumer Surplus

Popis výsledku v původním jazyce

The present paper discusses a hypothetical but markedly interesting and effective form of price discrimination stemming from the evolution of opera as a distinctive cultural subdomain. The first chapters of the text describe in detail the origins of the genre and institution, characterising concurrently the genesis of partial price discrimination measures to yield the maximum consumer surplus possible. Opera apparently epitomises a prime example illustrating the business model based on price discrimination: unlike, for instance, drama as another category of theatrical entertainment, opera has always been accompanied by high costs, and effectively implemented price discrimination thus became a vital component of the relevant economic framework. The second section of the article then proposes a theoretical concept that exploits the individual discrimination methods applied within opera and that, using the lottery principle, exhibits a potential to acquire full consumer surplus.

Název v anglickém jazyce

Searching for Ideal Price Discrimination in the History of Opera: Lottery as a Way to Get a Consumer Surplus

Popis výsledku anglicky

The present paper discusses a hypothetical but markedly interesting and effective form of price discrimination stemming from the evolution of opera as a distinctive cultural subdomain. The first chapters of the text describe in detail the origins of the genre and institution, characterising concurrently the genesis of partial price discrimination measures to yield the maximum consumer surplus possible. Opera apparently epitomises a prime example illustrating the business model based on price discrimination: unlike, for instance, drama as another category of theatrical entertainment, opera has always been accompanied by high costs, and effectively implemented price discrimination thus became a vital component of the relevant economic framework. The second section of the article then proposes a theoretical concept that exploits the individual discrimination methods applied within opera and that, using the lottery principle, exhibits a potential to acquire full consumer surplus.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

60500 - Other Humanities and the Arts

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2018

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Musicologica Brunensia

ISSN

1212-0391

e-ISSN

—

Svazek periodika

53

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

18

Strana od-do

119-136

Kód UT WoS článku

000446502100010

EID výsledku v databázi Scopus

2-s2.0-85054594720