On monotony of opera playbill and underlying economy

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F18%3A00105256" target="_blank" >RIV/00216224:14210/18:00105256 - isvavai.cz</a>

Výsledek na webu

<a href="http://hdl.handle.net/11222.digilib/138329" target="_blank" >http://hdl.handle.net/11222.digilib/138329</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5817/MB2018-1-5" target="_blank" >10.5817/MB2018-1-5</a>

Jazyk výsledku

angličtina

Název v původním jazyce

On monotony of opera playbill and underlying economy

Popis výsledku v původním jazyce

The study explores modern opera theater repertoires and focuses on the strategy of opera offering. Statistics and data analysis reveal strong tendencies of monotony, sameness, and repetitiveness of repertoire across the biggest and most productive opera houses in the world. The two ongoing tendencies are that the majority of opera theaters resort to reproducing a shortlist of canonized masterpieces and that there are hardly any new works presented onstage since the middle of the 20th century. Opera is possibly the most complex art form that demands not only immense resources and skills from its producers but also incredible attention and loyalty from the consumers. Complexity and demanding nature of this art form is certainly amongst the shaping factors of modern opera economy. But do constant reproduction of monotonous repertoire and recycling of the same opera titles have ulterior motives?

Název v anglickém jazyce

On monotony of opera playbill and underlying economy

Popis výsledku anglicky

The study explores modern opera theater repertoires and focuses on the strategy of opera offering. Statistics and data analysis reveal strong tendencies of monotony, sameness, and repetitiveness of repertoire across the biggest and most productive opera houses in the world. The two ongoing tendencies are that the majority of opera theaters resort to reproducing a shortlist of canonized masterpieces and that there are hardly any new works presented onstage since the middle of the 20th century. Opera is possibly the most complex art form that demands not only immense resources and skills from its producers but also incredible attention and loyalty from the consumers. Complexity and demanding nature of this art form is certainly amongst the shaping factors of modern opera economy. But do constant reproduction of monotonous repertoire and recycling of the same opera titles have ulterior motives?

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2018

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Musicologica Brunensia

ISSN

1212-0391

e-ISSN

2336-436X

Svazek periodika

53/2018

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

14

Strana od-do

65-78

Kód UT WoS článku

000446502100005

EID výsledku v databázi Scopus

2-s2.0-85054574893