Offers Difficult to Refuse : Miloš Havel and Clientele Transactional Networks in the Protectorate Bohemia and Moravia

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F21%3A00119201" target="_blank" >RIV/00216224:14210/21:00119201 - isvavai.cz</a>

Výsledek na webu

<a href="http://dx.doi.org/10.1007/978-3-030-61634-2_6" target="_blank" >http://dx.doi.org/10.1007/978-3-030-61634-2_6</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1007/978-3-030-61634-2_6" target="_blank" >10.1007/978-3-030-61634-2_6</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Offers Difficult to Refuse : Miloš Havel and Clientele Transactional Networks in the Protectorate Bohemia and Moravia

Popis výsledku v původním jazyce

At the time of German occupation in 1939, film producer and businessman Miloš Havel was arguably the most influential personality in the Czechoslovak national film industry. During the Protectorate, he was deprived of the main source of his agency, the Barrandov studios, and lost most of his Czech political patrons when the Protectorate government was reorganised in January 1942. Though deprived of the support he previously enjoyed in the heteronomous world of politics, he was able to maintain his transactional network within the film world and to compensate for the lost connections to political patrons. This chapter provides insight into the measures, whereby this local actor sought to maintain his network and capital, to preserve his pre-war resources, and to keep established structures working under highly volatile circumstances. The concepts of patronage, brokers, and transactional networks provide the theoretical framework for the analysis of Havel’s career during the period under consideration.

Název v anglickém jazyce

Offers Difficult to Refuse : Miloš Havel and Clientele Transactional Networks in the Protectorate Bohemia and Moravia

Popis výsledku anglicky

At the time of German occupation in 1939, film producer and businessman Miloš Havel was arguably the most influential personality in the Czechoslovak national film industry. During the Protectorate, he was deprived of the main source of his agency, the Barrandov studios, and lost most of his Czech political patrons when the Protectorate government was reorganised in January 1942. Though deprived of the support he previously enjoyed in the heteronomous world of politics, he was able to maintain his transactional network within the film world and to compensate for the lost connections to political patrons. This chapter provides insight into the measures, whereby this local actor sought to maintain his network and capital, to preserve his pre-war resources, and to keep established structures working under highly volatile circumstances. The concepts of patronage, brokers, and transactional networks provide the theoretical framework for the analysis of Havel’s career during the period under consideration.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

<a href="/cs/project/GA16-13375S" target="_blank" >GA16-13375S: Česká filmová kultura a německá okupace: procesy kulturního transferu</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2021

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Film Professionals in Nazi-Occupied Europe. Mediation Between the National-Socialist Cultural "New Order" and Local Structures

ISBN

9783030616335

Počet stran výsledku

23

Strana od-do

147-169

Počet stran knihy

274

Název nakladatele

Palgrave Macmillan

Místo vydání

Cham

Kód UT WoS kapitoly

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