Inside the inner dynamism of the theatrical sign : an archaeology of Jiří Veltruský’s theatre theory

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F25%3A00140869" target="_blank" >RIV/00216224:14210/25:00140869 - isvavai.cz</a>

Výsledek na webu

<a href="https://asjournals.lib.cas.cz/slovoaslovesnost/article/uuid:710dd4ac-5564-4803-af41-1ff3aced0e27/detail" target="_blank" >https://asjournals.lib.cas.cz/slovoaslovesnost/article/uuid:710dd4ac-5564-4803-af41-1ff3aced0e27/detail</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.58756/s2318678" target="_blank" >10.58756/s2318678</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Inside the inner dynamism of the theatrical sign : an archaeology of Jiří Veltruský’s theatre theory

Popis výsledku v původním jazyce

The text provides an overview of the theatre theory of Jiří Veltruský, focusing specifically on the development of his notion of the theatrical sign from his early texts published in the 1940s to his mature writings which appeared in the 1980s. The text demonstrates how Veltruský synthesises theoretical concepts from the works of Jan Mukařovský, Roman Jakobson, Karl Bühler, Ferdinand de Saussure and Charles S. Peirce to create his own dynamic concept of sign. This concept captures the specific qualities of theatre semiotics and avoids the shortcomings of the mechanical application of the linguistic notion of sign to art. Veltruský’s theoretical work is then contextualised within the semiotic theories of theatre by Roland Barthes, Erika Fischer-Lichte, Marco De Marinis, Keir Elam and Patrice Pavis, and is also discussed in relation to the paradigmatic change after the ‘performative turn’ in theatre and social studies.

Název v anglickém jazyce

Inside the inner dynamism of the theatrical sign : an archaeology of Jiří Veltruský’s theatre theory

Popis výsledku anglicky

The text provides an overview of the theatre theory of Jiří Veltruský, focusing specifically on the development of his notion of the theatrical sign from his early texts published in the 1940s to his mature writings which appeared in the 1980s. The text demonstrates how Veltruský synthesises theoretical concepts from the works of Jan Mukařovský, Roman Jakobson, Karl Bühler, Ferdinand de Saussure and Charles S. Peirce to create his own dynamic concept of sign. This concept captures the specific qualities of theatre semiotics and avoids the shortcomings of the mechanical application of the linguistic notion of sign to art. Veltruský’s theoretical work is then contextualised within the semiotic theories of theatre by Roland Barthes, Erika Fischer-Lichte, Marco De Marinis, Keir Elam and Patrice Pavis, and is also discussed in relation to the paradigmatic change after the ‘performative turn’ in theatre and social studies.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

—

Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Slovo a slovesnost

ISSN

0037-7031

e-ISSN

—

Svazek periodika

86

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

17

Strana od-do

59-75

Kód UT WoS článku

001450087800001

EID výsledku v databázi Scopus

2-s2.0-105003129707