Return to National Origins in Contemporary Chinese Art and Design

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F25%3A00142957" target="_blank" >RIV/00216224:14210/25:00142957 - isvavai.cz</a>

Výsledek na webu

<a href="https://czasopisma.ltn.lodz.pl/Art-Inquiry/article/view/3241/2875" target="_blank" >https://czasopisma.ltn.lodz.pl/Art-Inquiry/article/view/3241/2875</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.26485/AI/2025/27/6" target="_blank" >10.26485/AI/2025/27/6</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Return to National Origins in Contemporary Chinese Art and Design

Popis výsledku v původním jazyce

This study explores the return to national origins in contemporary Chinese art and design through the revitalisation and reinterpretation of traditional cultural symbols, aesthet-ics and compositional methods. Drawing on François Jullien’s concept of dé-coïncidence, the authors contrast Western ideals of fixed adequacy with Chinese process-oriented aesthetics, high-lighting the role of spontaneity, interrelation and symbolic dynamism. The article analyses how traditional elements, such as motifs from Dunhuang murals, national colour symbolism, garden aesthetics and iconic forms, are adapted in modern graphic design, architecture, product brand-ing and university logos. By examining these developments, the study demonstrates that modern Chinese visual culture maintains a dialogue with its cultural heritage, blending innovation with reimagined continuity of tradition.

Název v anglickém jazyce

Return to National Origins in Contemporary Chinese Art and Design

Popis výsledku anglicky

This study explores the return to national origins in contemporary Chinese art and design through the revitalisation and reinterpretation of traditional cultural symbols, aesthet-ics and compositional methods. Drawing on François Jullien’s concept of dé-coïncidence, the authors contrast Western ideals of fixed adequacy with Chinese process-oriented aesthetics, high-lighting the role of spontaneity, interrelation and symbolic dynamism. The article analyses how traditional elements, such as motifs from Dunhuang murals, national colour symbolism, garden aesthetics and iconic forms, are adapted in modern graphic design, architecture, product brand-ing and university logos. By examining these developments, the study demonstrates that modern Chinese visual culture maintains a dialogue with its cultural heritage, blending innovation with reimagined continuity of tradition.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60101 - History (history of science and technology to be 6.3, history of specific sciences to be under the respective headings)

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

ART INQUIRY

ISSN

1641-9278

e-ISSN

2451-0327

Svazek periodika

27

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

PL - Polská republika

Počet stran výsledku

19

Strana od-do

101-119

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-105027552564