Shaping the New Era of Digital Art Historical Research with Digital Humanities and AI Art, Expanded conference, Linz, Austria, 3–5 September 2025

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F25%3A00144539" target="_blank" >RIV/00216224:14210/25:00144539 - isvavai.cz</a>

Výsledek na webu

<a href="https://expanded-conf.org/" target="_blank" >https://expanded-conf.org/</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Shaping the New Era of Digital Art Historical Research with Digital Humanities and AI Art, Expanded conference, Linz, Austria, 3–5 September 2025

Popis výsledku v původním jazyce

This paper presents research on the current state of the field of digital art history. It provides an assessment of research methods and writing strategies for monographs and classifies online digital art databases as fundamental sources of knowledge for historiographical research according to their mission and development policy. The author realizes that digital art historians prefer the database format to the monograph, from which generalizing conclusions are drawn: the reasons for this preference include the postmodern crisis of grand narratives, databases as a cultural form of our time, and the countercultural ethos of the field of digital art. In the last part of the paper, the author proposes paths for further development of the field based on the findings. Inspiration is recognized in methods complementary to database formats, which are developed within the field of digital humanities such as distant reading, data visualizations, pattern recognition, and in AI Art projects addressing the status of archive and database at a time when all data becomes the subject of endless remix.

Název v anglickém jazyce

Shaping the New Era of Digital Art Historical Research with Digital Humanities and AI Art, Expanded conference, Linz, Austria, 3–5 September 2025

Popis výsledku anglicky

This paper presents research on the current state of the field of digital art history. It provides an assessment of research methods and writing strategies for monographs and classifies online digital art databases as fundamental sources of knowledge for historiographical research according to their mission and development policy. The author realizes that digital art historians prefer the database format to the monograph, from which generalizing conclusions are drawn: the reasons for this preference include the postmodern crisis of grand narratives, databases as a cultural form of our time, and the countercultural ethos of the field of digital art. In the last part of the paper, the author proposes paths for further development of the field based on the findings. Inspiration is recognized in methods complementary to database formats, which are developed within the field of digital humanities such as distant reading, data visualizations, pattern recognition, and in AI Art projects addressing the status of archive and database at a time when all data becomes the subject of endless remix.

Druh

O - Ostatní výsledky

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

<a href="/cs/project/GA24-10667S" target="_blank" >GA24-10667S: Lokální digitální umění a kultura jako předmět historiografického výzkumu</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů