Shaping the New Era of Digital Art Historical Research with Digital Humanities and AI Art

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F25%3A00144540" target="_blank" >RIV/00216224:14210/25:00144540 - isvavai.cz</a>

Výsledek na webu

<a href="https://dl.acm.org/doi/proceedings/10.1145/3749893" target="_blank" >https://dl.acm.org/doi/proceedings/10.1145/3749893</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1145/3749893.3749911" target="_blank" >10.1145/3749893.3749911</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Shaping the New Era of Digital Art Historical Research with Digital Humanities and AI Art

Popis výsledku v původním jazyce

This paper presents research on the current state of the field of digital art history. It provides an assessment of research methods and writing strategies for monographs and classifies online digital art databases as fundamental sources of knowledge for historiographical research according to their mission and development policy. The author realizes that digital art historians prefer the database format to the monograph, from which generalizing conclusions are drawn: the reasons for this preference include the postmodern crisis of grand narratives, databases as a cultural form of our time, and the countercultural ethos of the field of digital art. In the last part of the paper, the author proposes paths for further development of the field based on the findings. Inspiration is recognized in methods complementary to database formats, which are developed within the field of digital humanities such as distant reading, data visualizations, pattern recognition, and in AI Art projects addressing the status of archie and database at a time when all data becomes the subject of endless remix.

Název v anglickém jazyce

Shaping the New Era of Digital Art Historical Research with Digital Humanities and AI Art

Popis výsledku anglicky

This paper presents research on the current state of the field of digital art history. It provides an assessment of research methods and writing strategies for monographs and classifies online digital art databases as fundamental sources of knowledge for historiographical research according to their mission and development policy. The author realizes that digital art historians prefer the database format to the monograph, from which generalizing conclusions are drawn: the reasons for this preference include the postmodern crisis of grand narratives, databases as a cultural form of our time, and the countercultural ethos of the field of digital art. In the last part of the paper, the author proposes paths for further development of the field based on the findings. Inspiration is recognized in methods complementary to database formats, which are developed within the field of digital humanities such as distant reading, data visualizations, pattern recognition, and in AI Art projects addressing the status of archie and database at a time when all data becomes the subject of endless remix.

Druh

D - Stať ve sborníku

CEP obor

—

OECD FORD obor

60401 - Arts, Art history

Projekt

<a href="/cs/project/GA24-10667S" target="_blank" >GA24-10667S: Lokální digitální umění a kultura jako předmět historiografického výzkumu</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název statě ve sborníku

Expanded ’25 : Proceedings of the Conference on Animation and Interactive Art

ISBN

9798400715327

ISSN

—

e-ISSN

—

Počet stran výsledku

8

Strana od-do

24-31

Název nakladatele

Association for Computing Machinery

Místo vydání

New York, USA

Místo konání akce

Linec, Rakousko

Datum konání akce

3. 9. 2025

Typ akce podle státní příslušnosti

WRD - Celosvětová akce

Kód UT WoS článku

001661515800004