"Vodka, beer, papirosy": Eastern European working class cultures mimicry in contemporary hardbass

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F26482789%3A_____%2F21%3A10152257" target="_blank" >RIV/26482789:_____/21:10152257 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

"Vodka, beer, papirosy": Eastern European working class cultures mimicry in contemporary hardbass

Popis výsledku v původním jazyce

In this chapter, I discuss the contemporary developments of hardbass, a predominantly Eastern European electronic dance music style that emerged at the turn of the first decade of 21st century in Russia and spread to different countries of the region and beyond. Specifically, I focus on de-politicized and commodified hardbass in relation to social class and the mutations it underwent in late postsocialism in Eastern Europe, while paying particular attention to contexts of the Czech Republic and Russia. In the terms of transnational circulation, I approach hardbass as an element of cultural transfer. The resulting study is based on a multi-site research project focusing beyond Eastern Europe on the specific relationship of hardbass to the Netherlands. I interpret contemporary hardbass music videos in line with mocking colonization by the &quot;normcore&quot; strategies of the &quot;middle class&quot; hipster youth possessing cultural and to certain extent also social and economic capital.

Název v anglickém jazyce

"Vodka, beer, papirosy": Eastern European working class cultures mimicry in contemporary hardbass

Popis výsledku anglicky

In this chapter, I discuss the contemporary developments of hardbass, a predominantly Eastern European electronic dance music style that emerged at the turn of the first decade of 21st century in Russia and spread to different countries of the region and beyond. Specifically, I focus on de-politicized and commodified hardbass in relation to social class and the mutations it underwent in late postsocialism in Eastern Europe, while paying particular attention to contexts of the Czech Republic and Russia. In the terms of transnational circulation, I approach hardbass as an element of cultural transfer. The resulting study is based on a multi-site research project focusing beyond Eastern Europe on the specific relationship of hardbass to the Netherlands. I interpret contemporary hardbass music videos in line with mocking colonization by the &quot;normcore&quot; strategies of the &quot;middle class&quot; hipster youth possessing cultural and to certain extent also social and economic capital.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60101 - History (history of science and technology to be 6.3, history of specific sciences to be under the respective headings)

Projekt

<a href="/cs/project/GA20-24091S" target="_blank" >GA20-24091S: Překrásný nový svět: mládež, hudba a třída v českém postsocialismu</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2021

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Music and Democracy. Participatory Approaches

ISBN

978-3-8376-5657-2

Počet stran výsledku

18

Strana od-do

153-170

Počet stran knihy

263

Název nakladatele

mdwPress

Místo vydání

Vídeň

Kód UT WoS kapitoly

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