Virtual Idol Hatsune Miku: New Auratic Experience of the Performer as a Collaborative Platform

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F49777513%3A23640%2F15%3A43927721" target="_blank" >RIV/49777513:23640/15:43927721 - isvavai.cz</a>

Výsledek na webu

<a href="http://dx.doi.org/10.1007/978-3-319-18836-2_5" target="_blank" >http://dx.doi.org/10.1007/978-3-319-18836-2_5</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1007/978-3-319-18836-2_5" target="_blank" >10.1007/978-3-319-18836-2_5</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Virtual Idol Hatsune Miku: New Auratic Experience of the Performer as a Collaborative Platform

Popis výsledku v původním jazyce

In this paper, the phenomenon of virtual idol Hatsune Miku will be analyzed in the context of critical theory, emerging technologies, and theory of digital art practices. The first part focuses on the phenomenon of the virtual celebrity seen as Deleuze and Guattari's concept of 'body without organs.' The second part examines how the state-of-the-art technologies have enabled the existence of Hatsune Miku, who is simultaneously a corporate software product, pop icon, performance artist, and collaborativemultimedia artwork. Based on the reading of Hatsune Miku as a hybrid product emerging from the fusion of arts and IT, the last part revolves around the concept of 'aura' (Benjamin) generated by virtual idol's presence. Finally, the notion of hyperterminality is introduced not only to differentiate between entities/identities appearing on the surface of the screen and those virtual constructs co-existing with us in the spaces of physical reality, but also to explore how these newly emerg

Název v anglickém jazyce

Virtual Idol Hatsune Miku: New Auratic Experience of the Performer as a Collaborative Platform

Popis výsledku anglicky

In this paper, the phenomenon of virtual idol Hatsune Miku will be analyzed in the context of critical theory, emerging technologies, and theory of digital art practices. The first part focuses on the phenomenon of the virtual celebrity seen as Deleuze and Guattari's concept of 'body without organs.' The second part examines how the state-of-the-art technologies have enabled the existence of Hatsune Miku, who is simultaneously a corporate software product, pop icon, performance artist, and collaborativemultimedia artwork. Based on the reading of Hatsune Miku as a hybrid product emerging from the fusion of arts and IT, the last part revolves around the concept of 'aura' (Benjamin) generated by virtual idol's presence. Finally, the notion of hyperterminality is introduced not only to differentiate between entities/identities appearing on the surface of the screen and those virtual constructs co-existing with us in the spaces of physical reality, but also to explore how these newly emerg

Druh

D - Stať ve sborníku

CEP obor

AA - Filosofie a náboženství

OECD FORD obor

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Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2015

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název statě ve sborníku

Lecture Notes of the Institute for Computer Sciences, Social-Informatics and Telecommunications Engineering, LNICST

ISBN

978-3-319-18835-5

ISSN

1867-8211

e-ISSN

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Počet stran výsledku

9

Strana od-do

36-44

Název nakladatele

Springer Verlag

Místo vydání

Istanbul

Místo konání akce

Istanbul

Datum konání akce

10. 11. 2014

Typ akce podle státní příslušnosti

WRD - Celosvětová akce

Kód UT WoS článku

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